Summary Since 1921 (in iran), a group has decided to build a permanent theater in Tehran (iran). However, few people in Tehran knew the theater and did not value the artists of this artistic branch to the extent that interested women did not have the right to appear on stage. At that time, it was considered disgraceful for the people of the theater community to work, and those who were interested in this art had to choose a profession. The term was used to refer to theatrical artists, which was considered an insult and a lowly act. Over time, society has progressed and conditions have changed. The formation of the Thought Breeding Organization, the establishment of an acting academy, the establishment of permanent theaters, and so on are the products of this transformation, behind which there has been much love and excitement. The well-known term that is still prevalent in society is related to the early days of modern theater in Iran: art has a dirty environment. Families used the misnomer to prevent their children from entering the profession. But by the end of the twenties, everything had changed and another era had begun. Ten with twenty didn't ninety nine, the third part of the second chapter is the treasure trove of contemporary Iranian theater. View more details

• Documentary
• Biography