Strasidýlko Fanfulínek

Ubu leads a revolution to seize Poland's throne. His greed for money and power sees no end, leading him trough various adventures, from fighting against the Tzar to getting attacked by a bear. Meanwhile his wife has a plan of her own.

A tragic accident has made Anna-Marie a widow and left her with sole responsibility for her daughters Grete and Elin and the large Højgård. The widowhood has made Anna-Marie hard and determined, so when she discovers that Grete is in love with one of Højgård's men, she hits hard. At the same time, she hatches a plan to sell Elin to her son on a nearby estate. However, both daughters insist on deciding on their own lives - and the fight against the mother's dominance threatens to destroy the family forever.

It has been 25 years since they graduated from high school or could have done it if they had not graduated beforehand, had done laps of honor or simply failed. Now they see each other again at the class reunion, the former top of the class, the former genius, the ex-class brat, the ex-class ass, meanwhile in their mid-40s, and suddenly face the people with whom they dreamed their future life back then . But what has actually happened in reality now? With others, but also with yourself? Annette Frier, Charly Hübner, Anja Kling, Jeanette Hain, Nina Kunzendorf, Fabian Hinrichs, Oliver Wnuk, Elena Uhlig, Kida Khodr Ramadan, Anna Schudt, Christian Kahrmann, Marek Harloff, Aurel Manthei, Nadja Zwanziger, Nicole Kersten, Guido Renner, Björn Jung: That is the impressive list of actors and actresses who came to play with 17 former classmates without a text or a well-written story. Burghart Klaußner slipped into the role of the teacher who doesn't want to miss a reunion with his old students. Without knowing the full life path of all the other characters, the actors improvised for two days on the basis of their role profiles and their own life experience, they got into unpredictable situations, astonished the others - and probably sometimes also themselves - with quick-wittedness and dramaturgical imagination and developed in this way moments and stories full of humor, melancholy and truthfulness. The extensive, 130-hour long material that was captured by 24 cameras was viewed, evaluated and condensed into a 90-minute television film.

'So Long' follows the lives of two women after a breakup.

"Teenkahon (Three Obsessions)" is a triptych film in Bengali by debutante filmmaker Bauddhayan Mukherji. It is an international art house film from Bengal which, as a piece of social document, tries to capture the changing face of morality, the degeneration of values, the increasing pollution of the spoken language, and the changing social fabric of Bengal through three stories. Spread over a hundred years, the three stories are structured in the manner of the classical Three Act Play with each act (read story) exploring one facet of an obsessive relationship outside the purview of marriage. ACT 1 The first film NABALOK (time period 1920-1954) is shot in black and white. This period piece is the story of an 8-year-old boy's emotional attachment and obsession with a newly-married girl. The film opens in Calcutta and moves to rural Bengal. ACT 2 The second film POST MORTEM (time period 1978) is a technicolor film. It is an ambitious single-room drama about two men - the lover and the husband - of a woman who has ended her life the evening before. Through the dialogue between the two characters we see a third emerge and discover the frailties of each relationship and what role each man had in the woman's suicide. ACT 3 The third film TELEPHONE (time period 2013) is the modern age digital film. This Roald Dahl-esque story with a series of twists and turns looks into the darkness that looms beneath the surface of human beings and how manipulative human relationships have become.