Real Fiction

In the reign of the Emperor Suzaku (930- 946 A.D.), various mishaps happen after a strange white rainbow in appearance in the sky over Kyoto. The Emperor orders a famous astronomer, Yasunori, to consult a certain Chinese book of secrets to calm the fear of the people. Yasunori has two disciples, Yasuna and Doman. But he desires that Yasuna succeeds him because Doman is interested only in power. Assisted by Yasunori's wife, Doman sends his follower, Akuemon, to kill Yasunori. Doman also steals the secret book and puts the blame on Yasuna and his sweetheart, Sakaki, Yasunori's adopted daughter. Sakaki commits suicide and Yasuna kills Yasunori's wife in his rage. He retrieves the secret book and sets out on a journey without destination. He meets her younger sister, Kuzunoha, with whom he falls in love at Sakaki's home town. Lord Iwakura, Yasunori's brother-in-low, advices the Court that the Crown Prince has no child and this causes tourmoils. Akuemon is summoned to catch a white female fox which is to be used for charming away the curse on the Prince. Akuemon fails to find a white female fox, but meets Yasuna who has protected the foxes. Akuemon beats Yasuna and takes Kuzunoha with him. But Yasuna is rescued by a white fox. The white fox asks his daughter to transform herself in the shape of Kuzunoha to live together with him. After that, they have a baby. When Kuzunoha escapes from Akuemon and comes to Yasuna, the female fox in the shape of Kuzunoha disappears leaving a poem (tanka) beside her sleeping baby.

A domineering matriarch is less than happy when her son brings home his new bride. She immediately sets to work at sabotaging their marriage as well as the engagement of her younger and weaker son.

When his adoptive brother flees after running afoul of a vicious gang, Sikander attempts to locate him.

Noted director of "The Housewife" blends politics with romance to weave a story of two activists in hiding in a remote shack. The intimate setting proves to be fertile ground for hidden desires.

Jeongeun works as a technical administrator at a company with severe discrimination against women. Not only she is waiting to be assigned, but also she is dispatched to work with a subcontractor. Despite the blatant pressure to resign, Jeongeun plans to hold out and return to the head office. However, the conditions working for the subcontractor, working on large transmission towers, are also challenging. No matter how tough Jeongeun is, it is not easy to overcome dual discrimination. She has confronted discrimination with assertive attitude, but she could not easily adapt to the new subcontractor environment. The reason she goes to work drunk or claims to be 'dispatched from the head office' and not a subcontractor worker is because she wants to protect her vested rights as a 'prime contractor.' However, she changes as she learns the work out of pride and establishes human bonds with her coworkers. Then those who considered Jeongeun as an annoyance start accepting her.

Two young women - a paraplegic girl sheltered by her wealthy guardians and a more experienced orphan - fall in love with a man separated from his violent wife.