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Desire is mysterious. Desire is overwhelming. Desire is tragic. Desire is FURIOUS. The many permutations of that strange thing called desire are on full display in this stunning collection of short films: Daytime Doorman tracks the burgeoning desire between Marcelo and his sexy doorman Marcio. Xavier charts the beginnings of desire, when Nicholas begins to notice his son, Xavier, only pays attention to certain types of boys. The Other Side is about the frustrations of unfulfilled desire when the object of your lust is beyond your reach- literally. The Tigers Fight explores what happens when one man, unbound by the ancient traditions, decides to subvert what's expected of him to declare his desire for his best friend, and finally, in Loris Is Fine we learn about the lengths two young lovers will go to prove that their love is beyond desire.

Depicts Manoj Jarange Patil's struggle to fight for Maratha reservation.

A simple favour has the potential to change everything for Mamun, who has been in the city for upskill training and staying as a guest with Rumki's parents. Rumki, an A-level student has been a real snob to ghetto Mamun.

On their way back from a wild party, Arineh and Nobahar cause a car accident. A mysterious stranger by the name of Toofan offers to cover the costs. This won't be the last time they'll cross his path over the course of the night. Cars form a popular setting in Iranian cinema. They move through the public sphere, yet their occupants remain among themselves. But what happens if a policeman suddenly gets into your vehicle, finds black market DVDs and forces you to admit, tipsily, that Argo is a film hostile to Iran? This road movie through Tehran by night begins as a hyperactive, drugged-up farce that pokes fun at the authorities, interprets the cultural history of Western toilets, and postulates other daring intercultural theories. Yet gradually the atmosphere changes and tension steadily rises in the car, thanks to Toofan, who keeps appearing again and again out of the blue. He plays a diabolical game with the two friends, one that crosses the boundaries into the metaphysical realm. As fanciful and spooky as the plot may seem, it is clearly anchored in Iran's present.

Sudhir goes to take care of his family business in Goa. He is attracted to Maria, a mysterious woman who meets him in an old graveyard.

Follows Allison at a crossroads in her career and love life, in need of the love and support of her two friends. After visiting her in Tuscany, each woman will reexamine the state of her own life and relationships.