Penn & Teller: Bullshit!

Role reversal study of the historically inaccurate "plight" of Australian Aborigines in modern Anglo-Saxon society. Indigenous "whities" [sic] are being persecuted by racist black people who invaded the fictitious country of BabaKiueria. Politically incorrect and inconvenient facts about infant mortality rates are ignored by a "reporter" who lives with a typical white family in a white "ghetto" for six months.

Niravan (Nazir Hussain), the village postmaster receives an envelope with a cheque for a very large amount, with the instructions that he is to turn this cheque over to the most honest man in the village. Honest Niravan calls a village meeting and informs them of this outcome. They mutually agree that there are five people in the village who can be called honest, however, since the stipulation states that the amount is to be turned to only one, they decide to hold elections in the village, so that everyone can decide who the most honest man is. The outcome is hilarious as all the five prominent people bend over backwards not only to be honest and caring, but also be seen to be honest and caring. The village doctor starts treating all patients regardless of their ability to pay him; the village money-lender starts forgiving loans; the wealthy zamindar allows everyone to drink water from his property; the village priest allows the untouchables to worship in the temple. Can these people be trusted with a large sum of money? Can Niravan be trusted with this money, as he has his own liabilities, a large sum he owes to money-lenders, as well as provide dowry for the forthcoming marriage of his daughter, Seema (Sadhana).

Complications, impersonations and moral dilemmas arise when a Punjabi pretends to be a Tamil in order to obtain accommodation in New Delhi. An eloquent and entertaining plea for national unity that manages to showcase several cultural traditions whilst encouraging people to laugh both with and at each other.

A philologist at a British university finds his small world coming apart just as catastrophic things seem to be happening in the big world outside.

No Ogawa, a young Japanese man, loves American western movies. What little English he does know he learned from these movies. When he is fired from his latest job at a fast food restaurant, he decides to become a cowboy. In his youth, he had a same-aged pen-pal named Kate Beatty, who he plans on visiting in the Canadian prairies specifically because she told him she was a cowgirl. No has plans literally and figuratively of riding off into the sunset with Kate. No's dreams are dashed when he arrives in Canada and finds that Kate is not a cowgirl, but an artist. She recently returned to her hometown after living in the big city, and has since led a relatively reclusive life with no husband on the horizon. As such, Kate's mother, with whom Kate does not confide, is hoping that Kate and No do end up together. He is even staying with her while in town. But Kate is harboring a secret, the reason for her being so reclusive. Her secret is not so secret, at least to her mother. Bill, a local postman, becomes No's friend and protector, the latter to protect No from getting hurt as he knows that No, in this case, will not get the girl of his dreams.

Ângela Carne e Osso (Angela Meat and Bone), a young nymphomaniac, lives surrounded by delinquents, and exerts intense allure on them, dominating them all with her erotic power.