Paranoia

The body of a clandestine Moroccan immigrant is discovered with his face mutilated. Simon Trapper, Commissioner of the homicide division, wants to take on the case as well as his colleague/rival Rachid from narcotics. Simon gets the upper hand. He has a particular interest in this affair as he is himself involved in a drama linked to Morocco. Under cover of a classic detective story, Marrakech takes the spectator into a triple level investigation: concerning the murder, the hero's own, carried out from a distance, and the psychological course he has to follow.

Mobin decides that he would become a "Himu". His philosophy and changes in lifestyle affects everyone around him.

Leth's television production of Sanct Hansaften-Spil by the Danish playwright Adam Oehlenshläger is an attempt to take the poetic play at face value and bring it to life in a series of tableaux with settings by Per Kirkeby and acted by a large number of celebrated actors and actresses. In other words, just as in the theatre, the attempt means making the words burst out of the narrow framework of the stage or tableau. Apart from the central romance between Maria and Ludvig, several of the images and tableaux from this TV production deserve praise for giving body and soul to Oehlenschäger's words in an enjoyable, moving way: Ghita Nørby and Per Pallesen as puppets, Ove Sprogøe as the blind man longing for his fiddle, and Erik Mørk as Death. The visuals are kept in warm colours or as bluish, murky sets emphasising the mystery of the woods. This is a multi-camera production typical of television with extensive use of dissolves. Within this technological framework at one point Leth does produce a scene more experimentally, suing two cameras that take turns to make long zooms onto Frits Helmuth, who is seated beside a spring, talking. Whenever the zoom reaches half close-up it dissolves to a new, almost identical zoom from a wide shot. A similar game with the possibilities allowed by television production is to be found in Eddy Merckx i nærheden af en kop kaffe.

Ram (Jai) is a carefree and jobless young man who mostly hangs out with his seven friends. They spent much of their time smoking cigarettes and teasing everybody, with not much thought about their future. One day, Ram meets his best friend Sridhar (Arun) in his house and encounters his soft-spoken sister Priya (Vidhya Venkatesh). Thereafter, Ram comes across Priya on multiple occasions, they eventually fall in love with each other and ends up dating. Thus, he distances himself from his friends' outings. He even reveals his love to three of his friends. When Sridhar and his family find out about their love affair, they ask Priya to forget him straight away. Being from an orthodox Hindu Brahmin family, they could not accept because Ram was from another caste. Sridhar then has a fight with Ram for dating his sister and misusing his friendship. The group of friends split up into two groups: the first group supported Ram and knew about his love before, while the second one supported Sridhar and knows about his love just now. Sridhar even beats up his sister at home for dating his friend, and her family starts to be very strict with her. Later, Priya convinces Ram's friends to support their love. Ram and Priya had no other choice but to get married, in a hurry, at the registrar office with the help of Ram's parents and friends. After the secret marriage, Ram's father Janakiraman (Radha Ravi) advises him to first find a job and then they will start their married life. The two families then decide to settle the problem once and for all. The film ends with Ram and Priya getting married as per the customs and with the blessings of both families.

The story of Sahin from the Korean War to singing.