Paper Dove

Eva auditions for a role in an obscure art-house film. An anonymous, masked director creates an intimidating atmosphere. He dominates and humiliates Eva, forcing her into prostitution. She sleeps with a Jewish film producer named Josh. When he refuses to help her financially, Eva blackmails him by threatening to tell his wife that they slept together. Back on the film set, Eva's heading towards her own downfall. It's just a matter of time before her individuality and emotions are eliminated for 'the sake of art'.

Mid-summer heatwave. Nikos and Alain, two male prostitutes and a female pimp, Monica, get tangled in a peculiar relationship after meeting in a dark street. They fall in love, play with guns and talk about card games, money and theatre castings. Is this a game of role playing the three of them have invented to pass their time in a remote, empty summer house? Have they been reading Jean Genet? Whether a mirror image of the characters' reality or an elliptic depiction of their distorted, dream-like perception of it, I Afroditi Stin Avli, by juxtaposing disparate literary and art references, leads its isolated characters towards dissolution. And yet, in its strange language, it presents this dissolution as a triumph.

Komari Sano's parents ran a small Tokyo factory that manufactured aircraft parts. With her parents' influence, Komari Sano dreamed of becoming a pilot. During World War II, her older brother died as a kamikaze pilot and her parents died during the bombing of Tokyo. Komari Sano became an orphan and lived with her aunt. Her aunt ran a rote (high end traditional restaurant). After the war, all aerial activities were initially banned in Japan. After long negotiations with the Supreme Commander of the Allied Powers, Sizuo Matsuki, who is the security chief of Civil Aviation Bureau, finally launched Japan's civil aviation. Komari Sano applies for the position of a cabin attendant.