Pablo Escobar: El Patrón del Mal

Pablo Escobar: El Patrón del Mal

Directed : Unknown

Written : Unknown

Stars : Andrés Parra Vicky Hernández Christian Tappan Cecilia Navia

8.4

Details

Genres : Thriller Crime Drama History Biography

Release date : May 27, 2012

Countries of origin : Colombia

Official sites : Caracol Televisión Official Facebook

Language : Spanish

Filming locations : Medellín, Antioquia, Colombia

Production companies : Caracol Televisión Canokamedia, Producciones en Mente y Plural

Details

Genres : Thriller Crime Drama History Biography

Release date : May 27, 2012

Countries of origin : Colombia

Official sites : Caracol Televisión Official Facebook

Language : Spanish

Filming locations : Medellín, Antioquia, Colombia

Production companies : Caracol Televisión Canokamedia, Producciones en Mente y Plural

Episode 20 • Jun 25, 2012
El magnicidio de Lara causa conmoción en el país
The series begins and ends with his dramatic last moments before being shot to death by agents of the Colombian National Police, while escaping from a relative's home, and later flashing back to his childood in Valle de Aburra, Colombia, where Pablo is teased by his cousin, Gonzalo, and older brother, Peluche, on a footbridge crossing a creek, eventually rescued by his mother, who scolds Pablo for crying. His mother's influence on Escobar's life choices is portrayed in the first episode and throughout the series, starting with her admonishment that if he is going to do something bad, he had better do it really well, after he is frustrated while trying to cheat on a test and starting a class rebellion to avoid the consequences. As he and Gonzalo became older, they began their lives of organized crime, becoming bodyguards to a well known smuggler and eventually his partners, after successfully standing off with police in what would become Escobar's trademark "Plata o Plomo" approach to dealing with law enforcement -- "accept our bribe or prepare for a shootout with us." After robbing a bank and being turned in by one of their neighbors, Pablo and his cousin start their careers as murderers by killing him. Thereafter, the series follows Pablo's adventures and misadventures in organized crime and eventually cocaine smuggling, building an empire of wealthy criminals who contest power, often violently, with the Colombian state, eventually leading to murders of prominent politicians, policemen, business associates, friends, lovers, and eventually common citizens. The plot focuses on Escobar's contradictory drives to be a good husband; a decent, upstanding, Colombian citizen; a left-wing politician; a supporter of the poor; and a wealthy, powerful "bandido" (an endearing term for criminal, like "rascal"), all while seeking ever more political power, wealth, and sexual exploits.
Episode 23 • Jun 28, 2012
Escobar no se sale con la suya
The series begins and ends with his dramatic last moments before being shot to death by agents of the Colombian National Police, while escaping from a relative's home, and later flashing back to his childood in Valle de Aburra, Colombia, where Pablo is teased by his cousin, Gonzalo, and older brother, Peluche, on a footbridge crossing a creek, eventually rescued by his mother, who scolds Pablo for crying. His mother's influence on Escobar's life choices is portrayed in the first episode and throughout the series, starting with her admonishment that if he is going to do something bad, he had better do it really well, after he is frustrated while trying to cheat on a test and starting a class rebellion to avoid the consequences. As he and Gonzalo became older, they began their lives of organized crime, becoming bodyguards to a well known smuggler and eventually his partners, after successfully standing off with police in what would become Escobar's trademark "Plata o Plomo" approach to dealing with law enforcement -- "accept our bribe or prepare for a shootout with us." After robbing a bank and being turned in by one of their neighbors, Pablo and his cousin start their careers as murderers by killing him. Thereafter, the series follows Pablo's adventures and misadventures in organized crime and eventually cocaine smuggling, building an empire of wealthy criminals who contest power, often violently, with the Colombian state, eventually leading to murders of prominent politicians, policemen, business associates, friends, lovers, and eventually common citizens. The plot focuses on Escobar's contradictory drives to be a good husband; a decent, upstanding, Colombian citizen; a left-wing politician; a supporter of the poor; and a wealthy, powerful "bandido" (an endearing term for criminal, like "rascal"), all while seeking ever more political power, wealth, and sexual exploits.
Episode 33 • Jul 15, 2012
'Los extraditables' buscan la manera de ser juzgados en Colombia
The series begins and ends with his dramatic last moments before being shot to death by agents of the Colombian National Police, while escaping from a relative's home, and later flashing back to his childood in Valle de Aburra, Colombia, where Pablo is teased by his cousin, Gonzalo, and older brother, Peluche, on a footbridge crossing a creek, eventually rescued by his mother, who scolds Pablo for crying. His mother's influence on Escobar's life choices is portrayed in the first episode and throughout the series, starting with her admonishment that if he is going to do something bad, he had better do it really well, after he is frustrated while trying to cheat on a test and starting a class rebellion to avoid the consequences. As he and Gonzalo became older, they began their lives of organized crime, becoming bodyguards to a well known smuggler and eventually his partners, after successfully standing off with police in what would become Escobar's trademark "Plata o Plomo" approach to dealing with law enforcement -- "accept our bribe or prepare for a shootout with us." After robbing a bank and being turned in by one of their neighbors, Pablo and his cousin start their careers as murderers by killing him. Thereafter, the series follows Pablo's adventures and misadventures in organized crime and eventually cocaine smuggling, building an empire of wealthy criminals who contest power, often violently, with the Colombian state, eventually leading to murders of prominent politicians, policemen, business associates, friends, lovers, and eventually common citizens. The plot focuses on Escobar's contradictory drives to be a good husband; a decent, upstanding, Colombian citizen; a left-wing politician; a supporter of the poor; and a wealthy, powerful "bandido" (an endearing term for criminal, like "rascal"), all while seeking ever more political power, wealth, and sexual exploits.
Episode 34 • Jul 16, 2012
En busca de la prueba reina
The series begins and ends with his dramatic last moments before being shot to death by agents of the Colombian National Police, while escaping from a relative's home, and later flashing back to his childood in Valle de Aburra, Colombia, where Pablo is teased by his cousin, Gonzalo, and older brother, Peluche, on a footbridge crossing a creek, eventually rescued by his mother, who scolds Pablo for crying. His mother's influence on Escobar's life choices is portrayed in the first episode and throughout the series, starting with her admonishment that if he is going to do something bad, he had better do it really well, after he is frustrated while trying to cheat on a test and starting a class rebellion to avoid the consequences. As he and Gonzalo became older, they began their lives of organized crime, becoming bodyguards to a well known smuggler and eventually his partners, after successfully standing off with police in what would become Escobar's trademark "Plata o Plomo" approach to dealing with law enforcement -- "accept our bribe or prepare for a shootout with us." After robbing a bank and being turned in by one of their neighbors, Pablo and his cousin start their careers as murderers by killing him. Thereafter, the series follows Pablo's adventures and misadventures in organized crime and eventually cocaine smuggling, building an empire of wealthy criminals who contest power, often violently, with the Colombian state, eventually leading to murders of prominent politicians, policemen, business associates, friends, lovers, and eventually common citizens. The plot focuses on Escobar's contradictory drives to be a good husband; a decent, upstanding, Colombian citizen; a left-wing politician; a supporter of the poor; and a wealthy, powerful "bandido" (an endearing term for criminal, like "rascal"), all while seeking ever more political power, wealth, and sexual exploits.
Episode 38 • Jul 23, 2012
El país, horrorizado con la muerte del Coronel Jiménez
The series begins and ends with his dramatic last moments before being shot to death by agents of the Colombian National Police, while escaping from a relative's home, and later flashing back to his childood in Valle de Aburra, Colombia, where Pablo is teased by his cousin, Gonzalo, and older brother, Peluche, on a footbridge crossing a creek, eventually rescued by his mother, who scolds Pablo for crying. His mother's influence on Escobar's life choices is portrayed in the first episode and throughout the series, starting with her admonishment that if he is going to do something bad, he had better do it really well, after he is frustrated while trying to cheat on a test and starting a class rebellion to avoid the consequences. As he and Gonzalo became older, they began their lives of organized crime, becoming bodyguards to a well known smuggler and eventually his partners, after successfully standing off with police in what would become Escobar's trademark "Plata o Plomo" approach to dealing with law enforcement -- "accept our bribe or prepare for a shootout with us." After robbing a bank and being turned in by one of their neighbors, Pablo and his cousin start their careers as murderers by killing him. Thereafter, the series follows Pablo's adventures and misadventures in organized crime and eventually cocaine smuggling, building an empire of wealthy criminals who contest power, often violently, with the Colombian state, eventually leading to murders of prominent politicians, policemen, business associates, friends, lovers, and eventually common citizens. The plot focuses on Escobar's contradictory drives to be a good husband; a decent, upstanding, Colombian citizen; a left-wing politician; a supporter of the poor; and a wealthy, powerful "bandido" (an endearing term for criminal, like "rascal"), all while seeking ever more political power, wealth, and sexual exploits.
Episode 39 • Jul 24, 2012
La policía inspecciona la Hacienda Nápoles
The series begins and ends with his dramatic last moments before being shot to death by agents of the Colombian National Police, while escaping from a relative's home, and later flashing back to his childood in Valle de Aburra, Colombia, where Pablo is teased by his cousin, Gonzalo, and older brother, Peluche, on a footbridge crossing a creek, eventually rescued by his mother, who scolds Pablo for crying. His mother's influence on Escobar's life choices is portrayed in the first episode and throughout the series, starting with her admonishment that if he is going to do something bad, he had better do it really well, after he is frustrated while trying to cheat on a test and starting a class rebellion to avoid the consequences. As he and Gonzalo became older, they began their lives of organized crime, becoming bodyguards to a well known smuggler and eventually his partners, after successfully standing off with police in what would become Escobar's trademark "Plata o Plomo" approach to dealing with law enforcement -- "accept our bribe or prepare for a shootout with us." After robbing a bank and being turned in by one of their neighbors, Pablo and his cousin start their careers as murderers by killing him. Thereafter, the series follows Pablo's adventures and misadventures in organized crime and eventually cocaine smuggling, building an empire of wealthy criminals who contest power, often violently, with the Colombian state, eventually leading to murders of prominent politicians, policemen, business associates, friends, lovers, and eventually common citizens. The plot focuses on Escobar's contradictory drives to be a good husband; a decent, upstanding, Colombian citizen; a left-wing politician; a supporter of the poor; and a wealthy, powerful "bandido" (an endearing term for criminal, like "rascal"), all while seeking ever more political power, wealth, and sexual exploits.
Episode 40 • Jul 25, 2012
La vida de Cano está en peligro
The series begins and ends with his dramatic last moments before being shot to death by agents of the Colombian National Police, while escaping from a relative's home, and later flashing back to his childood in Valle de Aburra, Colombia, where Pablo is teased by his cousin, Gonzalo, and older brother, Peluche, on a footbridge crossing a creek, eventually rescued by his mother, who scolds Pablo for crying. His mother's influence on Escobar's life choices is portrayed in the first episode and throughout the series, starting with her admonishment that if he is going to do something bad, he had better do it really well, after he is frustrated while trying to cheat on a test and starting a class rebellion to avoid the consequences. As he and Gonzalo became older, they began their lives of organized crime, becoming bodyguards to a well known smuggler and eventually his partners, after successfully standing off with police in what would become Escobar's trademark "Plata o Plomo" approach to dealing with law enforcement -- "accept our bribe or prepare for a shootout with us." After robbing a bank and being turned in by one of their neighbors, Pablo and his cousin start their careers as murderers by killing him. Thereafter, the series follows Pablo's adventures and misadventures in organized crime and eventually cocaine smuggling, building an empire of wealthy criminals who contest power, often violently, with the Colombian state, eventually leading to murders of prominent politicians, policemen, business associates, friends, lovers, and eventually common citizens. The plot focuses on Escobar's contradictory drives to be a good husband; a decent, upstanding, Colombian citizen; a left-wing politician; a supporter of the poor; and a wealthy, powerful "bandido" (an endearing term for criminal, like "rascal"), all while seeking ever more political power, wealth, and sexual exploits.
Episode 42 • Jul 29, 2012
El país llora la muerte de Cano
The series begins and ends with his dramatic last moments before being shot to death by agents of the Colombian National Police, while escaping from a relative's home, and later flashing back to his childood in Valle de Aburra, Colombia, where Pablo is teased by his cousin, Gonzalo, and older brother, Peluche, on a footbridge crossing a creek, eventually rescued by his mother, who scolds Pablo for crying. His mother's influence on Escobar's life choices is portrayed in the first episode and throughout the series, starting with her admonishment that if he is going to do something bad, he had better do it really well, after he is frustrated while trying to cheat on a test and starting a class rebellion to avoid the consequences. As he and Gonzalo became older, they began their lives of organized crime, becoming bodyguards to a well known smuggler and eventually his partners, after successfully standing off with police in what would become Escobar's trademark "Plata o Plomo" approach to dealing with law enforcement -- "accept our bribe or prepare for a shootout with us." After robbing a bank and being turned in by one of their neighbors, Pablo and his cousin start their careers as murderers by killing him. Thereafter, the series follows Pablo's adventures and misadventures in organized crime and eventually cocaine smuggling, building an empire of wealthy criminals who contest power, often violently, with the Colombian state, eventually leading to murders of prominent politicians, policemen, business associates, friends, lovers, and eventually common citizens. The plot focuses on Escobar's contradictory drives to be a good husband; a decent, upstanding, Colombian citizen; a left-wing politician; a supporter of the poor; and a wealthy, powerful "bandido" (an endearing term for criminal, like "rascal"), all while seeking ever more political power, wealth, and sexual exploits.
Episode 49 • Aug 08, 2012
Escobar 'vende' a sus propios hombres
The series begins and ends with his dramatic last moments before being shot to death by agents of the Colombian National Police, while escaping from a relative's home, and later flashing back to his childood in Valle de Aburra, Colombia, where Pablo is teased by his cousin, Gonzalo, and older brother, Peluche, on a footbridge crossing a creek, eventually rescued by his mother, who scolds Pablo for crying. His mother's influence on Escobar's life choices is portrayed in the first episode and throughout the series, starting with her admonishment that if he is going to do something bad, he had better do it really well, after he is frustrated while trying to cheat on a test and starting a class rebellion to avoid the consequences. As he and Gonzalo became older, they began their lives of organized crime, becoming bodyguards to a well known smuggler and eventually his partners, after successfully standing off with police in what would become Escobar's trademark "Plata o Plomo" approach to dealing with law enforcement -- "accept our bribe or prepare for a shootout with us." After robbing a bank and being turned in by one of their neighbors, Pablo and his cousin start their careers as murderers by killing him. Thereafter, the series follows Pablo's adventures and misadventures in organized crime and eventually cocaine smuggling, building an empire of wealthy criminals who contest power, often violently, with the Colombian state, eventually leading to murders of prominent politicians, policemen, business associates, friends, lovers, and eventually common citizens. The plot focuses on Escobar's contradictory drives to be a good husband; a decent, upstanding, Colombian citizen; a left-wing politician; a supporter of the poor; and a wealthy, powerful "bandido" (an endearing term for criminal, like "rascal"), all while seeking ever more political power, wealth, and sexual exploits.
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