Noches de ronda

Summary In this Romantic- Musical, Ramon Armengod plays a handsome and driven but poor composer, who earns a living as a piano player with a singing voice that can melt a girl's heart. His obvious good looks and talent attract the attention of two beautiful but very different women. He soon finds himself in a situation that most men would envy. He must choose between sweet and innocent Esperanza, (nicknamed Pelancha), who hangs on his every word, or Olga, the worldly and provocative Rumberera who also happens to have connections in the music and entertainment world. Should he choose for love or his career? This film features several musical numbers by Armengod, as well as the Ballad from which this movie gets its its title. View more details

Noches de ronda

Directed : Ernesto Cortázar

Written : Ernesto Cortázar Roberto Gavaldón Ramón Pérez Peláez

Stars : Luis G. Barreiro María Antonieta Pons Susana Guízar Ramón Armengod

6.7

Details

Genres : Drama Romance Musical

Release date : May 26, 1943

Countries of origin : Mexico

Language : Spanish

Filming locations : Mexico

Production companies : Cinematográfica Calderón S.A.

Summary In this Romantic- Musical, Ramon Armengod plays a handsome and driven but poor composer, who earns a living as a piano player with a singing voice that can melt a girl's heart. His obvious good looks and talent attract the attention of two beautiful but very different women. He soon finds himself in a situation that most men would envy. He must choose between sweet and innocent Esperanza, (nicknamed Pelancha), who hangs on his every word, or Olga, the worldly and provocative Rumberera who also happens to have connections in the music and entertainment world. Should he choose for love or his career? This film features several musical numbers by Armengod, as well as the Ballad from which this movie gets its its title. View more details

Details

Genres : Drama Romance Musical

Release date : May 26, 1943

Countries of origin : Mexico

Language : Spanish

Filming locations : Mexico

Production companies : Cinematográfica Calderón S.A.

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So Close to Home

So Close to Home

Maggie, a professional women in her 30s, is in the sleeping compartment of an overnight train to Sydney. Maggie is a workaholic who drowns her loneliness in a busy world. Unable to relax, she pulls out her laptop. But on this night, Maggie's lifestyle of extreme order and isolation is disrupted when a 14-year-old Albanian girl silently demands her seat and Maggie is forced to travel backwards. The next morning as Maggie anxiously prepares to meet her estranged mother, Ramona, she is disturbed to realize that the girl, Azra, is following her. To Ramona's incredulity, Maggie invites the stranger home and there Azra begins to reveal a deep secret. Ramona's world of quiet suburbia, where novelty letterboxes front the neat yards, is an unlikely scene for a clash of language, culture and family turmoil. But as Azra reveals she is a refugee from Kosovo, the fragile walls of suburban familiarity begin to crack. Her family shattered by war, all Azra has to hold on to is a hand-made postcard of the Opera House, which her mother sent from a detention center in Australia. Azra's past is glimpsed in a nightmarish memory, which is echoed by the childhood experience that Ramona later relays to her own daughter. These fragments within the story add a personally poetic layer to the underlying politics of exile and belonging. Both emotionally troubled, Maggie and Ramona struggle to deal with the stranger. Ramona is highly critical of Maggie, who in turn resents her mother's overbearing ways. Their relationship is turned on its head, when Azra'search leads to a surprising and ultimately moving discovery. In the current climate, where the issue of asylum seekers has polarized opinion, So Close To Home is a remarkable depiction of the ironies and challenges involved in the idea of strangers. What begins as a story of boundaries is soon transformed into an exploration of the bonds of family and in particular, motherhood.

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