New Orleans

Film is based on advantages and disadvantages of social media.

At the edge of the world, it is said there is an enchanted forest. It will hand over to the the traveler who settles there the one he most desires. Among the trees wanders beings from a faraway memories, an evanescent present, or an uncertain future.

Upon spending time with Rohit, a carefree Casanova, in Goa, Renuka finds herself falling for him. However, her love for her husband forces her to make a choice between the two men.

Filipino poet Benjamin Agusan (Roeder Camanag) is a hapless native who returns to his hometown Padang to witness the aftermath of the super typhoon. For the past seven years, Benjamin has been living in an old town called Kaluga in Russia. With his grant and residency, he taught and conducted workshops in a university; in the process he published two poetry books of sadness and longing. In Russia, Benjamin shot video collages, fell in love with a Slavic beauty, buried a son, and almost went mad. He came back to bury his dead--father, mother, sister, and a lover. He came back to face Mount Mayon, the raging beauty and muse of his youth. He came home to confront the country that he so loved and hated, the Philippines. He came back to die in the land of his birth. He wanders around the obliterated village meeting old friends and lovers.

Jane Bell has lived on an old barge moored in the Thames with her feckless father and sister ever since their mother died, but she would prefer her life to be more like the movies; reality is being courted by inarticulate boatman Fred Green and cleaning the studio of local artist Bryan, on whom she has a hopeless crush that leads her refuse Fred's offer of marriage. When her father loses his job and her sister takes up with a rich young gambler, she becomes engaged instead to Ernest, whose Communist beliefs represent the only fixed set of ideals in her life. But her position as Bryan's sometime model and muse is too precious to give up, even if he doesn't pay any attention to her... and even if Ernest resents it bitterly.

Christopher Nolen's "The Good Life" is the story of highly-successful African American couple Jacques and Marianne Vandelay, who are happy--but keeping secrets from each other.