Description:
Dan O'Bannon was inspired at an early age by EC Comics like Tales from the Crypt and old horror films that he saw in St. Louis. He even wrote a few stories for Heavy Metal magazine (which also showed up in the film).
O'Bannon got his start when he and John Carpenter collaborated on the cult sci-fi film Dark Star (1974). After a failed attempt to make "Dune" with bizarre surrealist Alejandro Jodorowsky in Europe, O'Bannon returned to the US and began work on "Star Beast" (later retitled Alien (1979)) with Ronald Shusett (with whom he later worked again on Dead & Buried (1981)). He continued working in the Sci-fi/Horror genre mostly as a script doctor, but his directorial debut, The Return of the Living Dead (1985) is known as one of the best zombie movies ever made (and as of this writing two sequels with another in production). Lately O'Bannon has been appearing in a lot of DVD documentaries discussing his work and his influences. It is also worth noting that all of his films have interesting psychological interpretations. He has a tendency to appear in bow ties.
Birthday
September 30, 1946
Born In
St. Louis, Missouri, USA
Height
168 cm
Spouse/Ex-
Diane O'Bannon January 18, 1986 - December 17, 2009 (his death)
Trivia
O'Bannon and John Carpenter attended USC together; the result of their meeting
each other in college was the low-budget cult science-fiction parody
Dark Star (1974), which started out as a student movie and was eventually
expanded into a theatrical feature.
Quotes
[talking about Total Recall (1990)] Verhoeven has moments. He's talented and he does have some grand sci-fi visual things to see from time to time, but he's a very flawed director and Total Recall had a lot of pitfalls for him and he fell in most of them. In particular, whenever he started to flounder and didn't know what to do, he would start throwing in violence. He'd say bring in all the rubber body parts and the blood hoses and everything and we'll start ripping people to shreds and squirt blood everywhere. And he'd keep shooting that until he overcame his nerves and got his feet on the ground and would start directing in some reasonable way again. So you'd end up with these intermittent scenes of absurdly excessive maimings at sort of intervals, and usually what he was substituting for were scenes that involved humor in the original [script]. And I realized, 'Oh, he's not good at humor. He doesn't know how to tell a joke onscreen.' Too bad, because some of the important stuff he did very well on Total Recall. It had grand moments.
