Magnat

Summary Film traces the fascinating saga of princely Polish dynasty in years 1900-1935. In 1900 Prince Hans von Teuss entertains Emperor Wilhelm II with a bison hunt at his palatial residence. He finds out many years later that his wife was emperor's lover and divorces her. In the '20s, during the Silesian uprisings, Prince's son Konrad befriends foreman's son. In 1932, the Prince, now married to younger Marisca, becomes paralyzed and confined to wheelchair. His diabolical elder son takes over the ruined estate and unknown to his father becomes associated with Hitler's supporters. View more details

Magnat

Directed : Filip Bajon

Written : Filip Bajon

Stars : Boguslaw Linda Jan Nowicki Jan Englert Olgierd Lukaszewicz

6.7

Details

Genres : Drama History

Release date : Dec 20, 1987

Countries of origin : Poland

Language : German Polish

Filming locations : Pszczyna, Slaskie, Poland

Production companies : Manfred Durniok Filmproduktion Zespol Filmowy "Tor"

Summary Film traces the fascinating saga of princely Polish dynasty in years 1900-1935. In 1900 Prince Hans von Teuss entertains Emperor Wilhelm II with a bison hunt at his palatial residence. He finds out many years later that his wife was emperor's lover and divorces her. In the '20s, during the Silesian uprisings, Prince's son Konrad befriends foreman's son. In 1932, the Prince, now married to younger Marisca, becomes paralyzed and confined to wheelchair. His diabolical elder son takes over the ruined estate and unknown to his father becomes associated with Hitler's supporters. View more details

Details

Genres : Drama History

Release date : Dec 20, 1987

Countries of origin : Poland

Language : German Polish

Filming locations : Pszczyna, Slaskie, Poland

Production companies : Manfred Durniok Filmproduktion Zespol Filmowy "Tor"

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So Close to Home

So Close to Home

Maggie, a professional women in her 30s, is in the sleeping compartment of an overnight train to Sydney. Maggie is a workaholic who drowns her loneliness in a busy world. Unable to relax, she pulls out her laptop. But on this night, Maggie's lifestyle of extreme order and isolation is disrupted when a 14-year-old Albanian girl silently demands her seat and Maggie is forced to travel backwards. The next morning as Maggie anxiously prepares to meet her estranged mother, Ramona, she is disturbed to realize that the girl, Azra, is following her. To Ramona's incredulity, Maggie invites the stranger home and there Azra begins to reveal a deep secret. Ramona's world of quiet suburbia, where novelty letterboxes front the neat yards, is an unlikely scene for a clash of language, culture and family turmoil. But as Azra reveals she is a refugee from Kosovo, the fragile walls of suburban familiarity begin to crack. Her family shattered by war, all Azra has to hold on to is a hand-made postcard of the Opera House, which her mother sent from a detention center in Australia. Azra's past is glimpsed in a nightmarish memory, which is echoed by the childhood experience that Ramona later relays to her own daughter. These fragments within the story add a personally poetic layer to the underlying politics of exile and belonging. Both emotionally troubled, Maggie and Ramona struggle to deal with the stranger. Ramona is highly critical of Maggie, who in turn resents her mother's overbearing ways. Their relationship is turned on its head, when Azra'search leads to a surprising and ultimately moving discovery. In the current climate, where the issue of asylum seekers has polarized opinion, So Close To Home is a remarkable depiction of the ironies and challenges involved in the idea of strangers. What begins as a story of boundaries is soon transformed into an exploration of the bonds of family and in particular, motherhood.

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