Love, Cecil

Summary Respected photographer, artist and set designer, Cecil Beaton. was best known for his Academy Award-winning work, designing for such award-winning films such as Gigi (1958) and My Fair Lady (1964). The film features archive footage and interviews with various models, artists and filmmakers who worked closely with Beaton during his illustrious career. Beaton was not only a dazzling chronicler of his time, but a supreme arbiter of its tastes. From the Bright Young Things, to the front lines of World War II, and from the international belle monde and the pages of Vogue to a role as the Queen's official photographer, Beaton embodied the cultural and political schisms of the twentieth century. In this warm - though critical - portrait, which blends archival footage and photographs with voice over from Beaton's famed diaries to capture his legacy as a complex and unique creative force. Dynamic and lyrical, Love, Cecil (2017) is an examination of Beaton's singular sense of the visual, which dictated a style and set standards of creativity that continue to resonate and inspire today. View more details

Love, Cecil

Directed : Lisa Immordino Vreeland

Written : Unknown

Stars : Rupert Everett David Bailey Hamish Bowles Manolo Blahnik

7.1

Details

Genres : History Biography Documentary

Release date : Jun 28, 2018

Countries of origin : United States

Language : English

Production companies : Fischio Films

Summary Respected photographer, artist and set designer, Cecil Beaton. was best known for his Academy Award-winning work, designing for such award-winning films such as Gigi (1958) and My Fair Lady (1964). The film features archive footage and interviews with various models, artists and filmmakers who worked closely with Beaton during his illustrious career. Beaton was not only a dazzling chronicler of his time, but a supreme arbiter of its tastes. From the Bright Young Things, to the front lines of World War II, and from the international belle monde and the pages of Vogue to a role as the Queen's official photographer, Beaton embodied the cultural and political schisms of the twentieth century. In this warm - though critical - portrait, which blends archival footage and photographs with voice over from Beaton's famed diaries to capture his legacy as a complex and unique creative force. Dynamic and lyrical, Love, Cecil (2017) is an examination of Beaton's singular sense of the visual, which dictated a style and set standards of creativity that continue to resonate and inspire today. View more details

Details

Genres : History Biography Documentary

Release date : Jun 28, 2018

Countries of origin : United States

Language : English

Production companies : Fischio Films

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Potroseni

Potroseni

CONSUMED is a film about life's most important minutes. The protagonists of the film are persons over the age of 55 - those who have more than 30 million minutes of life behind them. The most important minutes in their lives have already happened and their last minute is drawing nearer and nearer. The film follows the protagonists from the point they answer a public invitation to persons over the age of 55, it shows their partaking in an audition and in the process of making a theatre performance and a documentary film. They are challenged to tell about the most important minute in their life in as many seconds as their age. They talk about life and death, happiness and pain in a brutally honest way. Are they "consumed", and if so, is it because the best years of their life are behind them? Or are they "consumed" because they live in a society that casts them away and treats them as a burden and a redundancy. The documentary CONSUMED records the process in which the protagonists become more than just randomly gathered individuals: As a collective, they have to deal with the decades of their own silence and to take the responsibility for the world in ruins they are leaving to the new generations. Because of the fact that they grew up and were working in a completely different social system, the protagonists question whether they in their 30 million minutes have missed to contribute to their society and community. Do they have the strength and determination to prove that they are not "consumed" and to give the minutes they have left for a better and a more just society?

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