Legends & Lies

Seven years ago director Sheldon Wilson set out to tell a story involving crooked cops, a mafia Godfather, murder, a public poisoning, Elvis Presley, prison gang leaders and a cocaine-addicted newspaper editor who printed it all. As it turns out, this was just the beginning of the story. ONCE UPON A CRIME: The Borrelli - Davis Conspiracy, follows the extraordinary story of two innocent men whose lives are torn apart solely because of their race. Mike Borrelli, an Italian-American NYPD detective and his partner Bob Davis, one of the first African-American detectives in New York, are convicted for committing first-degree murder for one of New York's most notorious crime bosses. But Mike Borrelli and Bob Davis are innocent. Law enforcement agents know it too, but they are hell bent to connect the murder to the mafia; incredibly, they give the real killer immunity and place him into witness protection in exchange for his false testimony against the two officers. This film reveals the shocking details of this unimaginable injustice as the filmmakers embark on a tireless search for the one known gunman, still in hiding.

It is an autobiographical documentary that depicts the lives of nine individuals who were incarcerated and involved in Toronto's 'street'- gun culture.

An ex-convict finds returns home to a small town and finds redemption for his crimes.

Donald Marshall is imprisoned for a murder he didn't commit.

The subject of the film drawn inspiration from a true story: two young men living in a house examines the life and system in Turkey with an early morning police raid on waking.

Blackie: The Fast Lives of Giordano Steece is more than just a documentary about one man's life inside the New Orleans underworld. It is a history of Louisiana as told by the people who lived it. Featuring interviews with real life 'gangsters', prosecutors, law enforcement and the politicians they controlled. The film centers on the life of 'Blackie,' the man that bridged the gap between the infamous Carlos Marcello and the Louisiana political establishment. He and his crew ran night clubs, fixed elections and enforced the Mafia code until his concern for his children caused him to leave 'The Life.' The film is a meditation on America where the lines between good and evil blur and all that matters is power.