La espada del Samurai

A British musician falls in love with a Venezuelan trafficker in New York City. When they decide to flee from the cartel, the two immigrants are threatened with their lives and choose to fight for love against chaos.

Carol Bolts adaptation of her stage play locks its audience in a claustrophobic bachelor flat for a night of black comedy, lust and terror. Jilted on her birthday by her boyfriend, Daisy picks up night club singer Rafe and takes him home. Is he a lover, liar or psychotic serial killer? Watch and see. Watch many times. The film is more complex than it seems and remains eerily contemporary in the issues that still compel us today: law and order, psychotic killers, police and human behaviour. Rafe is by turns charming, funny, and passionate and some would say a psychopath - that is, without feelings, but is he? Brent Carver beautifully portrays the fluidity and depth of this complex character. Daisy feels for Rafe even as her feelings for him turn fearful. A primary question in art as in philosophy is what the truth is. Rafe is a living exemplar of the dilemma. The dogma that says that you cannot make a drama with a liar as its hero is shown to beuntrue.

A few years ago, the Supreme Court found four construction workers innocent of the Sherry Ann Duncan (a half Thai-American) murder case (1986) after they had already spent several years in jail. One died in captivity, while another was crippled as a result of the police interrogation that forced the confessions. The four were arrested and sentenced to life imprisonment by the criminal court, on the basis of fake police evidence. Years later, a new investigation team reopened the case at the request of the victim's boyfriend. New suspects were arrested, who were sentenced to life imprisonment by the Supreme Court. But no police investigators have ever been punished for the fake evidence that wrongly put the four construction workers behind bars. This movie relates this story and is 100% true.

A businessman's wife is determined to cure a traumatized child by risking her own family life.