Kill with the Dance

On a train to Rome, the American singer Marc Revere meets the Italian Rafaella. He notices that she intends to work and live at her uncle's. After he gives her a ride, it turns out that said uncle has moved to South America. Revere proposes that she stays with him at his cousin's, an impecunious pianist.

A long-simmering animosity between two families of Verona, the Montague's and the Capulet's, has recently boiled over, with members of the rival households brawling in the streets. One night, Romeo, a Montague, crashes a party given by the Capulet's in order to meet up with a young woman called Rosaline, with whom he is infatuated. Thoughts of her vanish from his mind, however, when he catches sight of Juliet, daughter of the head of the Capulet household. Juliet is equally smitten with Romeo, but her father already has other plans for her.

A son visits his aging mother and sees tragic, intermittent signs of senility, but she pleads with him not to send her to a sanitarium.

Devin is a successful, happily married man. One day while driving to work, he sees a woman having car trouble on the side of the road. Devin decides to stop and help the woman. The woman, Skylar, later contacts Devin after realizing she left her purse in his car. Skylar then begins stalking Devin and things begin to get dangerous. Devin quickly falls for Skylar's trap. He realizes much too late that Skylar has him wrapped in her deceitful web of temptation. Devin must now fight to save himself from Skylar's ruthless grasp, before she destroys his entire life.

Claire Tree is a singer/dancer who goes after what she wants in a straight-forward, no-nonsense manner, so when she finds herself in the New York City hotel-suite, in fashionable Peacock Alley, of Stoddard Clayton, she wastes no time. Claire wants to get married. But, Stoddard, whom she cares for very much, has several proposals directed at her, none of which sound remotely like a marriage proposal; Claire tells him, in her straight-forward, no-nonsense manner that she wants to get married because, in her words: "I'm running away from the doubts and uncertainty and problems of a woman who isn't married." Stoddard thinks that nuptial bonds is a stupid old-fashioned tradition and fatal to romance. She says any man who says that is lying, and when she departs his suite at the crack of dawn, she seems convinced Stoddard indeed believes what he said he believed. But Claire has another option awaiting her...a Texan from home, and she promptly accepts his marriage proposal. But the house detective comes along after the ceremony and tells Tex his version of what he thinks goes on when a woman stays in a man's suite until the crack of dawn, and that doesn't jibe with his definition of a moral woman, and he ups and leaves her. Stoddard comes along and he thinks Tex has made a mockery of the marriage vows he took a short while ago, and he tells Claire that he will marry her, as soon as she can get an annulment from that day's ceremony, and they will make a go of it because they are 'different.' Somewhere in the 24-hour setting of this film, Claire plays a piano and sings a song called "In My Dreams, You Still Belong To Me," and then does a tango with a partner; and then does a solo-dance performance, interpreting a bullfighter...in costume...in 2-strip Technicolor.