Juntos a Magia Acontece: Especial de Natal

Romance is in the air on the picturesque Caribbean island of Roatán, but the troubled pasts of its guests threaten to tame their desires.

Somesh lives a very wealthy lifestyle with businessman dad, Banwari, and housewife mom. His dad runs a bank, Canara Bank, and wants Somesh to take an active interest in helping him, Somesh spends all his time drinking alcohol, womanizing, and at the races. When Banwari asks Somesh to marry Rekha Mahendru, his friend's, Superintendent of Police, Dinanath's daughter, Somesh not only refuses but quarrels and leaves. Several weeks later, Somesh is apprehended by the police smoking cocaine and is brought back home. His father apologizes to him, and tells him that he will not force him to marry Rekha. Banwari wants to throw a big party on the bank's anniversary, and asks Somesh to invite all his new-found friends and taxi-drivers from the slums, who he had been living with when he ran away from home. That night a number of well-dressed dignitaries arrive for the party, so do Somesh's poor friends. His father wants to make an announcement about Somesh's forthcoming engagement to Rekha until a woman named Chanda shows up. Somesh is in with love with Chanda and will not marry anyone else but her. The only problem is that Chanda is a highly paid prostitute and may have snared Somesh with her charms merely to get to his wealth. Watch what happens when Banwari decides to disown Somesh, leaving him penniless.

A mysterious Korean man comes to San Fransisco and meets an mysterious Korean woman. They share their story and try to comfort each other.

While their parents strive to earn an honest living, three young daughters go through their own issues as they grow up.

The son of an Argentine chemist travels to Vienna to solve the murder of his father. Step by step he realizes that his father was internationally entangled in Secret-Service machinations and chemical-weapon sales, and ends up in mortal danger himself. Meanwhile, he also realizes that there is no connection between his father's murderess and those dubious activities. Her motive for killing him goes back much further, to a court hearing during the Third Reich.

During the production of his new movie, a director wants to add a scene to improve the film's narrative by emphasising the aesthetic of female nudity. Endless negotiations ensue between lunch and dinner. Can they conclude?