Josei baraeteî

1) globalization of violence, violence of globalization? 2) serial killers, social killers? 3) a mine in brazil some murders in new york others in miami how are they connected? 4) "who's putting dynamite at the head of the century" asks tom zé -singing- at the end of the film 5) "cobrador - in god we trust" is an invitation to search the answers to these questions. "cobrador - in god we trust" is an attempt to find the answers to these questions.

A woman finds the key to a room in the attic that her husband forbids her from entering. When she opens the door, she is confronted with the haunting existence of the woman her husband refuses to forget.

Yahya is a middle-aged man lives in a town trying to leave his past behind; wants to slowly start a new chapter in his life, but Nima (his only child) has suddenly left the house. His efforts to find Nima are unfruitful. Meanwhile, he gradually distanced himself from Marta (his lover) and sought refuge alone. the police inform him that an unidentified body has been found in the reed. Nima who left the house after being puzzled by the revealed secret, now is found where the bodies were kept, there once again Yahya faces his past. For Nima's peace, he has been hiding it, but young Nima, has finally learned this secret that his mom was a victim of the mass executions of Iran's 80s.

After her husband was mysteriously killed following a séance, a woman returns home and senses she is not alone. Who is watching her and is someone else trying to protect her? Will the memories of her past be able to save her in time?