Jingbirok

Natalia and Carlos, both aged 20, are in love and struggling to survive in today's Spain. Their limited resources prevent them from getting ahead as they'd like to. They have no great ambitions because they have no great hopes. To earn some money, they decide to shoot an amateur porno film. The birth of their daughter Julia is the main catalyst for the changes they make.

Bernarda Alba and her several daughters have just returned from the funeral of Bernarda's husband. Bernarda is a strict and rigid figure, given to no sentimentality nor laxity, and her daughters chafe under their virtual imprisonment in the home. One of them, the principal heir to their father's wealth, is engaged to a man who does not love her, but who is socially acceptable. However, two of the other daughters (at least) are in love with the same man, but are forbidden by their mother to act on their loves. The conflict between the daughters and between them and their mother leads to a tragic turn of events.

Amidst the heartache of losing his beloved wife on the day of his daughter's birth, a single father sets out to deal with his doubts and fears about becoming a perfect father

After getting through the O/L Examination with outstanding results, Anuththara with his friends eagerly look forward to experience their final years in school as seniors in the A/L class. They befriend Ahinsa and the other new girls who join their school. Ahinsa draws everyone's attention for her smartness as well as her cheerful yet mysterious behaviour. Her irregular school attendance and the rumours circulating about her, make the others suspect that there's a hidden story behind her cheerfulness.

Naïve young country gal Diane gets sold by her abusive father to hunky stud Rick for only fifty bucks. Alas, Rick turns out to be a total no-account jerk who leaves Diane high and dry to fend for herself in a cheap apartment after spending a single night with her. Pretty soon Diane finds herself in all kinds of trouble with the low-life characters who live in the apartment with her.

Sara, Ester, and Miriam are three sisters who have never left the farmhouse where their father and grandmother raised them. They venerate God because they are an extremely Christian family, and fully respect the dogmas and punishments that the Scriptures, and the Old Testament above all, have transmitted to them. They believe in no intermediary, no Church, and no sacred image: Grandma Paolina rises to all those roles that separate them from the Lord's grace. Adolescence, however, has brought with it questions and physical transformations that have changed the sisters' outlooks. The doubt that sin has penetrated into their minds and hands is a legitimate one, and each of them responds differently to their first sexual urges. When tragedy strikes the family and their young cousin Primo is forced to come to the farmhouse, the sisters' lives are forever changed.