Gold Digger Killer

Chandramukhi visits Shimla and learns that she is a reincarnation of Paro, a girl who was raped and murdered. Plagued by her dark past, she attempts to bring the culprits to justice.

Play by Henrik Ibsen from 1879 made as TV theater (1974) with Ghita Nørby in the role of Nora, who breaks away from a bourgeois home.

A psychologist reluctantly takes on a child patient whose parents died when the three of them were in a car accident. The girl has become somewhat disassociated, and the question becomes whether she's just "off" or if she's actually being haunted by a ghost.

Although a graduate in Arts, Shanta agrees to get married to a much lesser educated widowed businessman, Ratanlal, who has a son, Mithu, from his first marriage, and re-locates to live with him, his brothers; Ramesh, Rajan, & Baldev, and an aunt. Ratanlal permits her to let her child-widowed sister, Lata, to also live with them. Shanta soon earns the respect and love of everyone in the family. Ramesh gets married to Advocate Motilal's daughter, Tara, while Rajan gets married to Mangala, who is Munshiram's daughter. After these marriages, misunderstandings crop up, generally generated by Mangala, so much so that Tara joins forces with her, forcing the brothers to separate from each other, with Ratanlal dividing the property and business equally amongst them, and re-locating in a small village house, while Ramesh now lives with Tara and her brother, Jeevan and his wife. Rajan does not get along with Mangala, takes to alcohol in a big way, stops his medical studies and joins the army, and Baldev re-locates to Bombay. The question remains will this troubled family ever be re-united again during their respective lifetimes?

Under the watchful gaze of his young assistant, the artist Mark Rothko takes on his greatest challenge yet: to create a definitive work of art for an extraordinary setting.

A cardiologist is sent into retirement, but he feels at loss without his work. He returns to his home village to work as a general practitioner. This is the start of his ordeal: he's confronted with raw reality, which finally brings him to his knees. But music has the last word.