Ghartyasathi Sar Kahi

Young Vasya finds a job on the sea rescue tow Kola, where he befriends a bunch of colorful characters: sailors Bruno and Marat and constantly depressed bosun Zosima. Kola gets a task to retrieve Polotsk, a ship, abandoned during the war.

Down on his luck, but confident in his singing talent, Vic (VICTOR WOOD) accepts a low-paying job in a classy joint to forge influential connections. A wealthy widow (AMAPOLA) recognizes his talent and helps him with his career, and although committed to his childhood sweetheart, he finds himself beholden to the widow. Gradually their relationship blossoms until an evening of shared secrets brings about unexpected confessions.

No Justice, Just Us is a drama about a group of fathers who dress as superheroes and kidnap the son of a government minister in order to highlight the social injustice that divorced fathers experience. The plan goes horribly awry when it is discovered that the boy has died while in their supposed care. They all turn on each other, but through the chaos caused by their guilt, denial and attempts to escape the situation, one at least, as the cops are lining up outside, is driven by his need to be a responsible person.

The intricate relations between an Artist, an Actress and a Poet are seen against the background of one of the most dramatic events in the recent history of Bulgaria: uprising, which broke out in 1923. Plainclothesmen murder the Poet because his verses are marked by individualist rebellion. The Artist loses his best friend and at this point of realistic first half of the film comes to the end. The second half develops on a metaphorical and fantastic level. After his meeting with the peasant Danil who has gone crazy, the Artist's illusion that art can be separate from life crumbles. He sees the rapid crushing of uprising and the suffering of the people with fearsome force and clarity. The Artist comes to understand that the reality can be a much richer source of creative inspiration than the artificially closed world of the elitist intelligentsia of his time. The film, notable for the unusual atmosphere of Konstantin Pavlov's magical lyricism is an attempt on the part of director Lyudmil Staykov at 'reconciling' two heterogeneous cinematic styles by means of montage.

Sophie, a pretty sixteen-year-old, mentally handicapped, looks at life without detour or subterfuge. The girl is full of disarming spontaneity, is devoid of hypocrisy and falsehood. And, she is still madly in love with this. But Sophie is also a person unable to tie her shoes, calculate, read without difficulty, to know the time or be wary of people. She lives her difference without being conscious, always governed solely by pure feelings. A notion that so many others have lost over the years.

When a young Italian American couple living in the Bronx in 1968 get over their heads financially, she starts working nights and he starts moonlighting at a chop shop. These jobs bring new stresses to their relationship until he sets out with a gun to kill the love of his life. Will there be an intervention in time?