Frameup

Death surrounds Bahman, a director who hasn't made a film in 24 years (he can't get past the censors). He's working on a documentary, for Japanese TV, on Iranian burial practices. On the anniversary of his wife's death, a hitchhiker tells him a story of spousal abuse and infant mortality, he discovers that someone has been buried in his plot next to his wife, and he needs the help of his attorney, a well-connected fixer. He dreams of death, even as he investigates it for his film. His niece's husband, a well-known writer, fails to return home; he searches hospitals for an unclaimed body. His heart disease is flaring up. Is he prepared for death? Is that all that's left?

With humility and heartbreaking hilarity, 'the(718)' presents the misadventures of beer-drinking, football-watching, awkward homosexual Stephen and his two straight best friends (as well as his beat poet conscience) as they navigate life and love in New York City's County of Kings. With a little less shoe talk than 'Sex & The City' (but a lot more testosterone), it's a clever and sexy portrait of Brooklyn's three most (in)eligible bachelors brimming with all of the insecurity, bravado and dependency that they would prefer to keep secret.

Two employee of security section of a shipyard help the police to keep watch on a murder suspect.

Rich executive being threatened by a burglar who had been caught trying to steal his mansion hires a hitman to kill him in prison. But another man is killed instead, leaving a widow and three kids. Full of remorse, he tries to help the family, taking everyone home. Soon, conflicts arise from the impossible coexistence of such contrasting families under the same roof.

Ozan and Atilla are two colleagues who travel from village to village making a TV program about local life and foods. They come a mysterious village in Dikili. Ozan drinks Aunt Emine's fruit juice and his life changes. He doesn't understand what happens. He tries to understand and realizes that he is an immortal.

A boy from the Midwest comes to Hollywood in search of a dream: he wants to be a star. He finds acting teacher Aaron Gillespie who bills himself as "The Buddah of Buddahs" of acting teachers and gets entangled, together with a group of acting students, into the biggest scam in Hollywood: Acting Schools that promise anything you want to hear. "I will put an Oscar in your hands" are the words of Acting "Guru" Aaron Gillespie: and the story begins.... "Spinal Tap" meets "Fame" is the best way to describe this film.