Episode list

Veronika

The Boy in the River
Veronika struggles with nightmares and a secret pill addiction. After a family picnic, she starts to get visions of a dead boy but refuses to believe it. However, as more people appear in the visions, Veronika questions her sanity.
6.8 /10
The Girl in the Forest
Veronika discovers a dead body buried in the forest and is dragged into the investigation of the case, which forces her to work with a new investigator, Nassir Hakim.
7.3 /10
The Man in the Dream
Veronika learns the dead body from the forest is that of a young local girl whom she has seen in one of her visions. She begins to find answers in her past and discovers that her father's death is somehow connected to her nightmares.
7.4 /10
The Hypnosis

Thu, Mar 28, 2024
The hockey star of the town appears to be guilty of the murder of the girl in the forest; when Veronika delves further into her past, the power of her visions increases and she sees more victims of injustice.
7.2 /10
The Seance

Thu, Apr 04, 2024
Veronika is dedicated to discovering the truth about herself, irrespective of the cost. She decides to stop taking pills and it makes her see everything clearly for the first time in her life.
7.6 /10
The Diary

Thu, Apr 04, 2024
Veronika opens up her separate investigation to find a way to prove how her visions and the cases are connected.
7.8 /10
T

Thu, Apr 11, 2024
Veronika struggles to make people believe her, but they think she is a maniac. However, she finds support in an unexpected place.
7.6 /10
The Victim

Thu, Apr 11, 2024
Veronika is in a race against time as she attempts to tie all the loose ends and uncover the truth before it's too late.
7.5 /10

Edit Focus

Fortynine

Fortynine

Between 1996 and 2006 Michal Kosakowski produced 49 short movies on the subject of killing. 49 killings, dreamed up by inhabitants of the metropolis of morbidity - Vienna. In 1996, Kosakowski began to inquire into fantasies of killing - at first among his relatives and friends, then widening the circle to include artists, musicians and, eventually, actors. Within a decade, Kosakowski made 49 short movies, an essential element of which is the fact that these killing fantasies were put into practice with the complicity of the respondents themselves and depicted in the 49 videos. The collaborations between Kosakowski and his fictitious killers and victims in scripting, acting and staging the films could not have been closer or more intense. Michal Kosakowski himself was in charge of directing, camera, editing and special effects for all 49 films. The fantasies of violence, all of which seem to feed on the explicit violence omnipresent in film and television, are stunning. Not a single one of the 160 performers has a criminal record or was ever involved in any real acts of violence. And yet poisoning, torture, suicide, execution, ritual murder, violence by and against women, men, and children, murders motivated by sexual, political, and mental aberration come face to face with the recipients' emotions, naked and uncensored. The video-installation FORTYNINE is a 5x4x3 meter mirror-walled cube. Visitors who enter the cube are confronted by a 49-part HD split-screen that mirrors their reflections to infinity. The fact of interpersonal acts of violence, here anchored in present-day aesthetics, is also reflected in the emotions visible on the faces of the visitors, which are equally mirrored to infinity. 49 examples of fictitious killing collide head-on with the real emotions of the installation's visitors. The collective experience of any emotion generates intimacy - and it is precisely this intimacy that acts as a further constitutive component of FORTYNINE: the confrontation of the individual with itself, in the face of the most atrocious examples of violence. What Michal Kosakowski grants us is the rare occasion to experience a genuine taboo of our times and our Western society - death. A death that, for the time being, seems to present itself exclusively in the contemporary guise of the incessant violence staged by the media.

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