Episode list

HIGH TECH SOUL is the first documentary to tackle the deep roots of techno music alongside the cultural history of Detroit, its birthplace. From the race riots of 1967 to the underground party scene of the late 1980s, Detroit's economic downturn didn't stop the invention of a new kind of music that brought international attention to its producers and their hometown. Featuring in-depth interviews with many of the world's best exponents of the artform, High Tech Soul focuses on the creators of the genre -- Juan Atkins, Derrick May, and Kevin Saunderson -- and looks at the relationships and personal struggles behind the music. Artists like Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of others explain why techno, with its abrasive tones and resonating basslines, could not have come from anywhere but Detroit.

The Super Bowl LI Halftime show took place on February 5, 2017 in Houston, Texas as part of Super Bowl LI. The show was headlined by Lady Gaga, who performed a medley of her songs, including the smash hit Million Reasons from her fifth studio album Joanne.

The war in Iraq is the backdrop as the Crosby, Stills, Nash, and Young "Freedom of Speech Tour" crisscrosses North America. Echoes of Vietnam-era anti-war sentiment abound as the band connects with today's audiences.

Traces the music and sounds from its Appalachian roots to the present. The rise, fall, and consistent revival of bluegrass chronicled through oral history and visual record.

Afro-Punk explores race identity within the punk scene. More than your everyday "Behind the Music" or typical "black history month" documentary, this film tackles hard questions, covering issues such as exile, loneliness, inter-racial dating and black power. We follow the lives of four people who have dedicated themselves to the punk rock lifestyle. They find themselves in conflicting situations, living the dual life of a person of color in a mostly white community.

A little over a year ago, nine terrorists drove into Paris with guns, grenades, and suicide belts. They were there to perpetrate a coordinated, calculated mass murder on behalf of ISIL and, more symbolically, to launch an assault on culture itself, by turning the city's houses of mirth - soccer stadiums, cafés, restaurants, and of course, the Bataclan concert hall - into monuments to death and fear. They wanted to spill blood, to shut the West up.