Episode list

In this archive footage collage, we learn about Leonardo DiCaprio and his raise to fame. He is one of Hollywood's most serious actors but also unlike any actor out there.

This film preserves a slice of Americana which is in danger of extinction. It tells the story about a style of jazz piano rarely heard today, a form of music which played a major role in the development of jazz in the 1920s and '30s. Ray Skjelbred, the film's narrator and performer, has devoted his life to playing piano music originally developed in the backrooms, bars, and speakeasies of prohibition-era Chicago. It is a style rooted both in the blues tradition of pianists like Jimmy Yancey and Pinetop Smith and in the jazz piano music originated by such masters as Earl Hines, Joe Sullivan, Jess Stacy, and Art Hodes. Although Skjelbred was born in Chicago, it was not until he moved to Seattle as a teenager with his family that he discovered jazz. Taking up piano at the age of 19, he began a lifelong quest to absorb the piano music of his native city, a music defined by a hard-nosed, no-nonsense, working-class attitude which has long been a hallmark of Chicago's citizenry. Calling upon his study of the music and his experiences with the musicians whose work he reveres, Skjelbred shares personal anecdotes of his meetings with them, musical demonstrations of their technique, and his own interpretations of their compositions. In doing so, as the foremost practitioner of a mostly lost art, he preserves an endangered music which otherwise seems fated to survive only on old recordings and in the fading memories of old-time jazz enthusiasts and record collectors.

"Antonio José. Pavana triste" narrates the life of the composer Antonio José Martínez Palacios (1902-1936), an almost forgotten member of the musical generation of '27 and murdered at the beginning of the Spanish Civil War.

"The Schleyer Tape" is a compilation of television and news footage comprising almost two hours of media accounts regarding the infamous Baader-Meinhof gang/RAF. The film begins with the kidnapping of Hanns-Martin Schleyer, September 5, 1977, and the dramatic news reportage from the scene of the car accident in Cologne where Schleyer was abducted.

The Power of Acting is a comedy-drama film written by Mrs. Padmos that tells secret facts about her own acting life. It shows the willpower, discipline, and courage of a woman who is turned into as a chess piece because of her knowledge. She throws her cabaret life through her professional career. And show a group of people that no one can dim your light. Every emotion is visible to the public. She works with emotional intelligence to win the game in such a way in combination with actual depression. The energies cause confusion, giving the cabaret actress room to breathe. Knowledge is power? Is this really true? Is life a stage? How much over hours does the actress have to make? "No one will write about me without my permission," the cabaret actress told the producer behind the scenes. "Give them some money and a cookie," the cabaret actress laughed. Producer Wayne pursues the actress angrily and calls! "Are you giving your money away again? Let them write that nonsense anyway. " The cabaret actress hands the producer part of her chocolate bar and softly says, "Don't worry, I still have roses and chocolate after every show." While the blonde actress looks at the mirror, she starts laughing out loud. "I really need to write another script." Her silent business partners are watching with wide eyes as the woman shamelessly takes the stage. The men and three ladies from New York look at each other. The hypnosis show starts, or is it a cabaret with a feather on a hat? "Jane, here's the document." The gentleman and the other two ladies turn in amazement. The music begins to play, and the cabaret actress runs after the stage. and shouts "human rights". Delete the error in the matrix. A story about a life in which we write a script every day. And how humanity allows a stranger to invade our inner world. Too many people have their scripts rewritten, even paying the editor the highest price. at the expense of their own well-being. Does it make sense to ask the outside world for permission to feel our feelings? Our thoughts, our feelings, our inner world?

A young boy looses his sight at the age of 10 through an undeveloped drug his doctor gave him because of a rash. It resulted in sight going. Thirty years on and a possible operation is carried out to get his sight back.