2004

SUnknownPersonliga berättelser/Storytelling

Mon, Aug 22, 2005

Young filmmakers talk about how they chose to make a film entirely based on their own experiences. We get to see parts of Daniel Burman's film, which is about what it is like to live with a serious illness and how he prepares for a major operation that could cost him his life. We meet Karoline Caernyson Conlon, who together with Lina Bertilsson made a film about her brother's suicide. She says that when people see the film, it feels like her brother is not forgotten. Leo Kahn's film is about thoughts on a bicycle, about traveling in the summer night between bars on Söder in Stockholm and feeling both freedom and a sense of loneliness.

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SUnknownExperimentfilm

Mon, Apr 10, 2006

What exactly is experimental film and how do you make it? "Garage about film" meets, among others, the artist Miranda July, who made the film "Me and You and Everyone We Know" when she was in Stockholm to receive an award at the Stockholm Film Festival. Miranda thinks the most important thing is to get started and start filming, even if you don't have the right equipment and training.

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SUnknownFilma utomlands

Mon, Apr 24, 2006

Jon Bergström shares his tips on how to best succeed with filming on the trip through preparation and light packing. We get to see material from two of his trips in Malawi and Nepal. Garage has been in New York and met Martina, who is studying to be a film producer, and followed her on a typical day at the New York Film Academy. Young filmmakers are in the studio. Diana Voxerbrandt studied film in Poland and made a documentary about a gay demonstration in Krakow. Anna Weglin Elenius went to Brazil with her school to teach how to make films. Borka is in full swing with his feature film, but what is it really like with the collaboration within the recording team?

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SUnknownLjussättning

Mon, May 08, 2006

Photographer Ulf Aneer shows how different lighting can make a room look different. He explains how the light differs between an early morning scene and a romantic evening scene. Garage has been involved in a commercial filming to see how the photographer and the lighting designer work together. In the studio are filmmakers Rikard Tyllström and Sarah Kitchen from Stockholm Film School. They have been involved in making the film Marionettdokan and tell how they had to darken an entire room in order to be able to control the light and have the opportunity to record night scenes when it was light outside. Robin Andersson and Martin Jernberg shot the film Good Morning with only two construction lamps as lighting equipment. In the series Filmlägret, we get to see how the participants finally agree on the script.

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