Episode list

Daily T

The Actor Director Relationship
Award winning writer/director Thomas J Elliott shares his thoughts on the actor/director relationship and what it takes to make a good working collaboration.
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Communication

Mon, Feb 14, 2022
Award winning writer/director Thomas J Elliott shares his thoughts on why clear communication is a skill all directors must master before going to set.
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Building Your Support Network
Award winning writer/director Thomas J Elliott shares his thoughts on surrounding yourself with the right people who are as committed to the journey as you are, and leaving behind those who don't share your vision.
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Being on camera part one
Award winning writer/director Thomas J Elliott shares his thoughts on creating the right conversational atmosphere on set when working with real people so that you can get a comfortable and authentic performance from them.
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Light in visual stories
Award winning writer/director Thomas J Elliott shares his thoughts on how lighting is an extension of the writing process and how it elevates your production.
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Directing comedy part 1
Award winning writer/director Thomas J Elliott shares his thoughts on the challenges of directing comedy and the one skill you need to acquire to master it.
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Intimacy

Mon, Feb 21, 2022
Award winning writer/director Thomas J Elliott shares his thoughts on the challenges of directing intimate scenes with actors.
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Focus

Tue, Feb 22, 2022
Award winning writer/director Thomas J Elliott shares his thoughts on maintaining your focus as a director throughout a long shoot.
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Equipment

Wed, Feb 23, 2022
Award winning writer/director Thomas J Elliott shares his thoughts on the importance of equipment, what clients think about equipment and what the reality of equipment vs crew really means.
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Phone scenes

Thu, Feb 24, 2022
Award winning writer/director Thomas J Elliott shares his thoughts on the challenges of directing phone scenes and how you can make the process easier for the actors.
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Script to screen part one
Award winning writer/director Thomas J Elliott shares his thoughts on translating a scene from a scripted page to a moment in a film.
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Start with a good script
Award winning writer/director Thomas J Elliott shares his thoughts on the importance of a well conceived and executed screenplay and how it leads to a better production and a better film.
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Working with actors
Award winning writer/director Thomas J Elliott shares his thoughts on working with actors and how you should create an environment that enables you to really collaborate and make acting an extension of the writing process.
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Visual economy

Thu, Mar 03, 2022
Award winning writer/director Thomas J Elliott shares his thoughts on honing your ability to tell stories with a greater visual economy through well conceived master shots.
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How many takes do you do
Award winning writer/director Thomas J Elliott shares his thoughts on how many takes you should do and how to understand when you have captured the material you need.
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Respecting people
Award winning writer/director Thomas J Elliott shares his thoughts on respecting the time of your actors and crew and creating an environment where everyone feels they are achieving something.
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Being on camera part two
Award winning writer/director Thomas J Elliott shares his thoughts on working with real people and understanding their feelings and emotions and creating a space where they can be empowered to excellence.
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Managing ideas

Thu, Mar 10, 2022
Award winning writer/director Thomas J Elliott shares his thoughts on managing your ideas process and letting go of everything except the ideas that matter most.
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Emotional Truth
Award winning writer/director Thomas J Elliott shares his thoughts on getting to the emotional truth of a scene rather than the literal truth of a scene and why this is more important for your audience.
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Directing from the monitor
Award winning writer/director Thomas J Elliott shares his thoughts on directing from the monitor and how you create an intimate working environment while doing so.
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Chewing the scenery
Award winning writer/director Thomas J Elliott shares his thoughts on creating an environment for an actor to give a larger than life performance that actually works.
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Dictators need not apply
Award winning writer/director Thomas J Elliott shares his thoughts on deciding on what kind of director you want to be and how you create a set and environment that works best for you and the stories you want to tell.
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Having a flexible process with actors
Award winning writer/director Thomas J Elliott shares his thoughts on having a flexible process to working with actors that enables you to tailor your direction to suit their individual needs.
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Cabin Fever

Sun, Mar 20, 2022
Award winning writer/director Thomas J Elliott shares his thoughts on multi day, week and month shoots and how as a director you need to create strategies to deal with cabin fever among your cast and crew.
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Reducing complications
Award winning writer/director Thomas J Elliott shares his thoughts on how you need to reduce complications on set to ensure for a smoother filming process and how doing things practically on set will always yield a better result.
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Where do I put the camera
Award winning writer/director Thomas J Elliott shares his thoughts on answering two of the most important questions you will get daily on set, what is this scene about? And where do I put the camera?
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Gaining the trust of your actors
Award winning writer/director Thomas J Elliott shares his thoughts on how you as the director win the trust and respect of your actors so that you can get great performances from them on screen.
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Everything on camera matters
Award winning writer/director Thomas J Elliott shares his thoughts on how everything you see on camera is important and needs to be considered.
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A language of specificity
Award winning writer/director Thomas J Elliott shares his thoughts on how directors need to develop a vocabulary and language of specificity to communicate what they want.
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An element of risk
Award winning writer/director Thomas J Elliott shares his thoughts on how risk is an essential element to any film or video, whether it be an independent feature film or a corporate video.
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Commercial work is just as personal
Award winning writer/director Thomas J Elliott shares his thoughts on how directing is always personal, even if you are directing something commercial as a director for hire.
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Being a collaborator
Award winning writer/director Thomas J Elliott shares his thoughts on how collaboration is really about understanding your collaborators, their wants and needs and their process.
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Selecting a cinematographer
Award winning writer/director Thomas J Elliott shares his thoughts on what he looks for in a cinematographer and how to choose the right one for your project.
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Stay open to possibility
Award winning writer/director Thomas J Elliott shares his thoughts on how it is crucial to always stay open to possibility when you are on set.
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Talking to your cinematographer
Award winning writer/director Thomas J Elliott shares his thoughts on how you need to develop a language to communicate your visual ideas clearly to your cinematographer.
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When everyone clicks
Award winning writer/director Thomas J Elliott shares his thoughts on how being open and transparent with your cast and crew helps everyone to click.
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Edit Focus

Belonging

Belonging

It's April 1975 and the Khmer Rouge are marching on Phnom Penh. Just three days before the city falls, a small orphaned girl, Li-Da Men, is flown out of the country. Eventually, she ends up as the adopted daughter of the British cook and business woman, Prue Leith and her husband Rayne Kruger. Li-Da has a comfortable and privileged upbringing whilst the country of her birth is returned to Year Zero by the murderous Khmer Rouge, whose Killing Fields claim nearly two million Cambodians. Now, twenty six years later, Li-Da returns to Cambodia in search of the truth: the truth about her past, the truth about her country's past and the truth about what is going on in that country today. This powerful film is the story of that search. A search which at every turn forces Li-Da to re-examine not just her past and opinions but also challenges the way in which the West regards Cambodia; a search which has the most astonishing and moving denouement. Within a week of Li-Da arriving in Cambodia, two families come forward believing they may be related to her. In the following weeks more people appear, often travelling long distances at their own expense: none searching for a rich Western relative, all searching for personal peace, having lost children and sisters during Cambodia's bloody war and its aftermath. Li-Da forms very strong bonds with some of these people - gradually realizing that it is irrelevant whether they are blood relatives or not, as she is bound to them by the much stronger bond of history. For this is a country which has little evidence of its past, so detail becomes less important while truth and belonging is what and where you perceive it to be. In what is almost a miraculous turn of events, Li-Da does discover something of the truth about what happened to her natural parents but this is not the most important discovery of her quest. As she is drawn more and more into the lives and homes of ordinary Cambodian people, she forms a deep attachment to them and for one in particular. By the end of the film Li-Da Kruger returns to Britain a transformed person - in love with a Cambodian, committed to return to Cambodia and not at the end of a process, but at the beginning. This is a film with a gripping personal narrative, with tears and triumph, with some humor as well as disappointment. And in the most painful and poignant way shows life in Cambodia today: how a country wrestles with the concepts of justice and truth in relation to its past and yet in the end offers hope and optimism for the future.

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