The Murder of Ebony Simpson
On 19th August 1992, Andrew Garforth waited by his car for the regular school bus to drop off nine-year-old Ebony Simpson just 1 kilometre from her home. As Ebony walked towards her home Garforth grabbed her and placed her in the boot of his car and drove to a remote location where he assaulted her, before throwing her into a dam where she drowned. Shortly after her disappearance, over 300 people set out in search of the little girl, with Garforth joining them in an attempt to cover his tracks. Investigations eventually led to Garforth. Miraculously he admitted to the murder almost immediately and led police to Ebony's body late into the night of the 20th August. Garforth was sentenced to life in prison without the possibility of parole in 1993. Following Ebony's tragic death her mother, Christine Simpson, fought tirelessly to change legislations for victims of crime.
8.2 /10
The Port Arthur Tragedy
On 28th April 1996, 28-year-old Martin Bryant shot and killed 35 people in the popular Tasmanian tourist site of Port Arthur and its surrounding areas. He began his killing spree by killing the owners of the hotel he was staying in. He then went to the Broad Arrow Cafe in Port Arthur where he ate a meal before opening fire on unsuspecting tourists restaurant, using his AR-15 semi-automatic rifle to end the lives of over 20 people in a matter of seconds. Continuing his rampage, Bryant drove around the surrounding area, chasing innocent victims and shooting them at point blank range, including women and children. Bryant then took a hostage back to his hotel where police attempted to negotiate with his demands - he wanted a helicopter to take him to Hobart Airport so he could to be flown to Adelaide. At some point during the negotiations Bryant killed his hostage. He was eventually caught when he set fire to the accommodation and ran out of the house suffering from severe burns. Bryant was sentenced to 35 life sentences without parole for each of his victims. Following the Port Arthur tragedy swift action was taken to change gun laws in the country.
7.5 /10
Peter Dupas

Tue, May 06, 2014
On 19th April 1999, several times convicted criminal Peter Dupas posed as a new client of psychotherapist Nicky Patterson. Having made arrangements for his first appointment, 28-year-old Nicky welcomed Dupas into her home under the pretence that she would be giving him counselling for gambling. Dupas then attacked Nicky with a knife before mutilating her body. Evidence at the scene led police to Dupas. Dupas was sentenced to life in prison with no possibility of parole in August 2000 and was later found guilty of the separate 1997 murders of Margaret Maher and Mersina Halvagis and was given two more life sentences.
7.8 /10
Jason Downie

Tue, May 06, 2014
On 8th November 2010, Jason Downie broke into the house of his friend's girlfriend, where Chantelle Rowe and her parents were asleep. Woken up by the intruder, Andrew Rowe confronted Downie but was stabbed at least 29 times and eventually died. Downie then turned to Rose Rowe as he attacked and killed her in the same way. After witnessing the attack on her parents, 16-year-old Chantelle hid under her bed in terror, but Downie proceeded to stab her to death. When their bodies were found Downie showed no remorse but instead was seen to be grieving, laying flowers outside the Rowe family home. When traces of his DNA and semen connected him to the frenzied attack, he was arrested and sentenced to life imprisonment with a minimum of 35 years.
8.1 /10
Katherine Mary Knight
Katherine Mary Knight lived in the small town of Aberdeen, NSW. In the early hours of March 1st 2000, Knight attacked her de facto husband John Price by stabbing him repeatedly. One day earlier, John had gone to court and taken out an Apprehended Violence Order against her. Knight's experience as an abattoir worker and her obsession with knives may have aided in how she then mutilated the body. After skinning John's body she then decapitated him and cooked parts of his body to serve to his relatives. After noticing John missing from work, his employer notified police and one of the most horrific crime scenes in Australian history was to be uncovered. She was the first Australian female to be sentenced to life imprisonment without parole and her papers were marked 'never to be released'.
7.6 /10
Derek Percy

Tue, May 20, 2014
On 20th July 1969, Derek Percy approached 12-year-old Yvonne Tuohy and her friend Shane Spiller whilst they were playing at their local beach in Warneet, Victoria. He snatched Yvonne into his car before trying to get Shane too, but Shane managed to defend himself. Percy took Yvonne to a remote location where he then murdered her. Shane contacted the police and was able to recall several things about Percy's car, including a navy sticker which led police to the local Navy base HMS Cerberus and to Percy. After his arrest Percy admitted to the crime and calmly led police to Yvonne's body. Controversially, Percy was found 'not guilty' on reasons of insanity but was considered too dangerous to ever be released. Since then, Percy has been a suspect in a number of murders and disappearances of other children all over Australia including 7-year-old Linda Stilwell who went missing from St Kilda beach in 1968. He was known as Australia's most notorious child killer until his death in prison in July 2013.
8.2 /10

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Majaz A Life in Poetry

Majaz A Life in Poetry

Majaz is a debut biopic feature film by Huma Khalil that depicts the life and poetry of the Urdu poet, Asrar Ul Haq Majaz, also known as a 'romantic revolutionary' in the Urdu world. The film's narrative is portrayed through the perspective of a current-day young research scholar, who, intrigued by the creative genius of this poet, explores the history and events that led to the creation of his poetic masterpieces as well as depression, self-destructive behaviour, and his early death. Despite the trials and tribulations in his personal life, Majaz kept creating poetic masterpieces which are universal and imperishable even after so many years. The film chronicles all the major milestones and pivotal moments in the life of the poet. Majaz found a mentor in the well-known poet Fani (Badayuni) in his early days at Agra on whose suggestion, Majaz came to Aligarh, a city known for its rich poetic culture. There, he wrote and recited poetry in his inimitable style to inspire youth to take part in the struggle for independence of India. Majaz was also a great advocate of women's empowerment and wrote extensive poetry dedicated to women, a feat which was much ahead of his time. This garnered him an unparallel female following and notoriety. His poetry not only inspired his young female audience but also inculcated the principles of independence of thought and choice of dressing in an era where orthodox conventions were the norms. With time, the fame and popularity of Majaz grew exponentially, and he shifted to Delhi to work at All India Radio. But at the peak of his popularity, the poet found himself in an agonising plight. He had fallen in love with a married woman who was an admirer of his poetry but was not ready to give up her settled life for the sake of love. Disillusioned and distraught by the ordeal, Majaz left Delhi and came to Lucknow, a city which suited his temperament. There, even though he found ample company, he remained broken from the inside. He then tried his hand at various jobs in Lucknow, Delhi, and Bombay but could not overcome his grief and sorrow. Throughout all this, Majaz continued with his poetic endeavours and pushed the envelope further. His progressive poetry cogently captured and conveyed the plight of youth struggling with joblessness, loss of home and property, and relationships in post- independent India. He was also the star performer at almost every mushaira (poetic symposium) that he attended.However, he was never spared from being judged and criticised for his unconventional ways, love life, and alcoholism, which took a heavy toll on his mind. His sensitive temperament was unable to deal with the loss of love as well as the loss of reputation. He destroyed himself with overconsumption of alcohol, suffered several nervous breakdowns, and was eventually admitted to a mental asylum. The biggest irony was that through his revolutionary yet relatable work, Majaz was able to provide a voice to prevalent issues of the time and offer solace and warmth as well as uplift the morale of people around him, but he was unable to find a way to soothe his own affliction. His condition was further exacerbated by a society that was uncaring and oblivious to his suffering. And unfortunately, this has been the fate of some of the most well-renowned artists and poets. At the young age of forty-four, Majaz died on a cold December night, near a tavern in the city of Lucknow. The intrigue around his early death still persists and the lovers of poetry try to decipher the various aspects of his life and poetry which could give them a clue to his complex mind. The frames of Huma's film bring alive Majaz's era of the late 1930s through a modern lens and capture the life and essence of a culturally and historically indispensable poet. Majaz's poetry forms the backbone of the entire film which has been further supplemented by sonorous music. Many dialogues in the film are exchanges of Urdu couplets written by Majaz. Also, various other aspects of Majaz's life, including his friendship with his contemporary poets like Sahir Ludhianvi, Josh Malihabadi, Sardar Jafri, and others have been showcased in the film. Apart from shedding light on the singular genius and pioneering work of the poet, the objective of the film, which is in sync with the objective of the Rekhta Foundation, is to develop the interest of today's youth for the profound art of poetry in this fastpaced internet age. Majaz gives an insight into the imperishable appeal and the inclusiveness of Urdu poetry which is fast fading in the land where it originated. The film also brings to light the yearnings of the sensitive hearts of artists, their inability to deal with plebeian challenges of daily life, and the responsibility of society and their admirers to help and support these purveyors of delight who have enthralled humanity through their creative outpourings.

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