Wild Captures

Tue, Sep 20, 2022
From a car crashing into a home to a lemur fleeing a DUI scene, these captivating real-life stories explore intense arrests caught on film.
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Love Scams

Tue, Sep 27, 2022
Love hurts: These are real-life stories of Americans who were swindled by people who claimed to love them.
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Botched Crimes

Tue, Oct 04, 2022
Sometimes, would-be criminals are their own worst enemies. This episode highlights crime "fails," and the officers - and ordinary civilians - who save the day.
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Drug Busts

Tue, Oct 11, 2022
In these real-life stories of the illicit drug trade, learn how law enforcement beats the smugglers in their high-stakes game of cat and mouse.
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Daring Escapes from Custody
A look at daring escapes from custody and the breakouts that take on many forms - yet always involve finding and exploiting the weakest parts of the system.
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Fundraising Scams
Crimes exploiting online generosity are a growing trend. These real-life stories show people going to great lengths to con unsuspecting donors out of their money.
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Dramatic Car Chases
Witness extreme car chases captured on video, from fleeing via fire truck to off-roading into a corn field. Fortunately no one is seriously hurt - except, at times, the vehicles.
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White-Collar Crimes
These criminals may not have blood on their hands, but they still leave despair in their wake. From shady non-profits to fraudulent contractors, here are some of the most devastating white-collar crimes to be attempted across the country.
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Fortynine

Fortynine

Between 1996 and 2006 Michal Kosakowski produced 49 short movies on the subject of killing. 49 killings, dreamed up by inhabitants of the metropolis of morbidity - Vienna. In 1996, Kosakowski began to inquire into fantasies of killing - at first among his relatives and friends, then widening the circle to include artists, musicians and, eventually, actors. Within a decade, Kosakowski made 49 short movies, an essential element of which is the fact that these killing fantasies were put into practice with the complicity of the respondents themselves and depicted in the 49 videos. The collaborations between Kosakowski and his fictitious killers and victims in scripting, acting and staging the films could not have been closer or more intense. Michal Kosakowski himself was in charge of directing, camera, editing and special effects for all 49 films. The fantasies of violence, all of which seem to feed on the explicit violence omnipresent in film and television, are stunning. Not a single one of the 160 performers has a criminal record or was ever involved in any real acts of violence. And yet poisoning, torture, suicide, execution, ritual murder, violence by and against women, men, and children, murders motivated by sexual, political, and mental aberration come face to face with the recipients' emotions, naked and uncensored. The video-installation FORTYNINE is a 5x4x3 meter mirror-walled cube. Visitors who enter the cube are confronted by a 49-part HD split-screen that mirrors their reflections to infinity. The fact of interpersonal acts of violence, here anchored in present-day aesthetics, is also reflected in the emotions visible on the faces of the visitors, which are equally mirrored to infinity. 49 examples of fictitious killing collide head-on with the real emotions of the installation's visitors. The collective experience of any emotion generates intimacy - and it is precisely this intimacy that acts as a further constitutive component of FORTYNINE: the confrontation of the individual with itself, in the face of the most atrocious examples of violence. What Michal Kosakowski grants us is the rare occasion to experience a genuine taboo of our times and our Western society - death. A death that, for the time being, seems to present itself exclusively in the contemporary guise of the incessant violence staged by the media.

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