100 years of Maori rugby
Episode 1 centres on Moepuke TaiRawhiti as she reflects on her commitment to serving the community over 15 years. She shares a heartwarming story of how she became a warden, initially helping cousins with truancy at a high school. "You sit in there when I go around and look, and you see anybody, just get off and grab them," her cousin instructed. Eventually, TaiRawhiti was persuaded to formally join the wardens' group, a decision she has never regretted. One memorable moment involves taking in troubled youths through the courts and helping them find a better path. Following her coordination of Taranaki rugby's 100th anniversary last year, she ensures her team of wardens perform their duties with integrity. "It's about just passion for people," she says. Despite personal challenges, including battling cancer, TaiRawhiti finds solace and purpose in her role.
0 /10
Kapa haka

Sun, Jun 23, 2024
Hone Morris, shares his dedication to community service, which began at a young age. "The role of the Maori warden, to me, is community safety, public reassurance." Morris' journey began in 2015 when he joined a rangatahi (youth) leadership group that connected with the Western Heights Community Association. His initial scepticism about wardens being "for old people" quickly dissipated as he witnessed their vital role. Morris coordinates traffic at the Ngati Pikiao Ahurei (kapa haka) event and ensures attendees' safety. "It's rewarding seeing our people smile," he remarks, appreciating the gratitude they receive, even though they don't seek it. "Our people look to us," he notes, explaining how the community often turns to Maori Wardens rather than the police for help. He advocates for Maori wardens to gain autonomy to continue their work effectively. His story reflects the deep sense of responsibility and fulfilment derived from serving his community, highlighting the importance of Maori wardens in providing safety and support.
0 /10
New generation

Sun, Jun 23, 2024
Cairo Karika, 14, and Te Amorangi Nuku, 18, represent the changing of the guard with Maori wardens, a kaupapa traditionally associated with much older people. They share their experiences and motivations for joining the cause. Karika recounts his introduction to Maori wardens during the 2019 Ihumatao protest, where he admired their role in maintaining peace. "Watene Maori just stand for something bigger," he says. Nuku highlights the importance of community service, often involving his younger siblings in warden activities. "It's good quality time for us as a whanau (family)," he explains. Both youths are inspired by their parents' dedication to the wardens' work and strive to emulate their example. They describe their patrol duties, including checking on the homeless and offering food, drinks, and blankets. "Everyone has a story, and it's not your business to know, but you can still be kind to them," Karika says.
0 /10
Tainui coronation celebration
Gloria Tangihaere Hughes, a seasoned Maori warden, reflects on her role of coordinating wardens during Tainui's annual Koroneihana (Coronation) celebrations. Influenced by her uncle, a respected warden, Gloria recalls how his presence demanded respect without harsh words. "They held themselves in such a manner that just oozed respect," she says. "The main thing is for today, we are happy people. We smile, we greet the people, and always look after our kaumatua (elders)," she instructs her team. Tanihaere Hughes emphasises the importance of upholding the values instilled by Maori leaders like Princess Te Puea, who emphasised looking after the people. "I just want you to look after the people," she remembers being told. "The biggest impact for Maori wardens is to provide a presence which gives people confidence," she says.
0 /10
Sharing the love through kai
Matarora Smith, chief executive of Tamaki Ki Te Tonga District Maori Wardens, shares her journey from Australia back to New Zealand to support her community. She leads efforts to distribute food parcels, ensuring that the elderly and vulnerable have access to fresh produce. "It's very satisfying, knowing that you're making a difference to somebody," she says. Despite being relatively new to the kaupapa compared to other wardens, her commitment to achieving more for her people is unwavering. "For me, it's stopping and going, 'Are you okay?'" she explains, emphasising the importance of compassion in her work. She highlights the need to train the next generation of wardens to ensure the continuation of their vital work. Her pride is evident as she speaks of her granddaughters, who have also become wardens. "If they're taught the right way, they'll do it the right way," she says.
0 /10
Poverty Bay A&P Show
Rangi Williams discusses the challenges and rewards of being a Maori warden. He focuses on the importance of the wardens' presence and visibility, and a sense of safety and reassurance. "The biggest impact for Maori wardens is to provide a presence which gives people confidence," he explains. Williams emphasises the need for continuous support and training to maintain their effectiveness and uphold the values of aroha ki te tangata (love of the people). He explains the historical roots of the Maori wardens, tracing their origins to the 19th century when they were established to protect community meetings. And he dreams of a future of autonomy where wardens can perform their duties without reliance on the Crown. "Maori wardens need to have their own mana motuhake (autonomy) and work with their people."
0 /10

Edit Focus

Last of the Breed: The Dave Evans Story

Last of the Breed: The Dave Evans Story

Long time Bluegrass singer and songwriter Dave Evans heard a voice when he was just a child at the young age of thirteen. "From the ole Queen City, to New Boston town, Ironton and Ol' Hanging Rock, I've made every stop, I've played every station, while traveling down Ol' Highway 52." The ambitious youngster who at the time was just acquainting himself with the craft of music and the talent of playing the banjo, had written these mature lyrics that would come to pass as a bold prediction, some say vision, of his life to come. By age 18, the boisterous teenager and close knit family man from Portsmouth, Ohio landed his first professional job when he was asked to join Earl Taylor's Stoney Mountain Boys band where Evans would play the banjo. The talented young "Banjer Picker," as he liked to call himself, was soon gathering a reputation for having lightning quick hands when it came to stroking a banjo, and over the course of a year quickly discovered his talents as an emerging singer and songwriter as well. When an unfortunate illness struck his mother in 1969, Evans, true to his "family above all" roots, returned home to Ohio to care for his Mother and be with his loved ones. After her passing, Evans remained in Ohio until the beckoning of Bluegrass music began calling his name once again. Playing in various clubs, fairs, theatres, and festivals; he harnessed his talents until an opportunity presented itself in 1972 that he couldn't resist. Larry Sparks, known for his hard driving Bluegrass ballads, had approached Dave about joining up with his band of musical outlaws and soon Evans was a "Lonesome Rambler." It was during those years playing and touring with the Ramblers that Evans would master his deep tenor singing style that would become a staple of his identity within the Bluegrass community. As with many Legends, their stardom comes to pass through a natural progression, and Evans, true to form, after bouncing around in numerous bands of notoriety, eventually embraced his destiny and moved from being a back up vocalist and band mate, to a front man and leader of his own crew. In 1978 Dave Evans formed "Dave Evans and the River Bend," a vehicle which would finally allow the talented musician to step into the spotlight and produce the music he had always dreamed of making as a child. Soon Evans, as predicted, had played every venue, theatre, and stage along the long and winding "Ol' Highway 52." The River Bend thrived for about a decade, touring various states and territories and recording 5 albums with long time Bluegrass icons, Rebel Records. During the 90's Evan's career came to an immediate and unfortunate halt when again family came calling, and an incident transpired that to this day, has never been clearly explained to the public. After his son was attacked and shot at by a local group of troublemakers, Evans, being an individual from a time when men were men, took the law into his own hands. As the famous song "Pastures of Plenty," which Evans covered in his album "Classic Bluegrass" goes: "My land I'll defend with my life need it be, cause my pastures of plenty must always be free." Evans did just that by abiding by such a credo, but unfortunately men who follow their inner voice sometimes find that truth from within, often doesn't fit within the exterior world. Evans soon fell victim to a political agenda scorned from run-ins with past public officials that had made it their mission to retaliate against the former Lonesome Rambler who had made some enemies along the way to becoming a Bluegrass Living Legend. Evans, the respected artist, musician, and family man who had avoided a record his entire life, was sentenced to 10 years in prison for an "assault" charge. The popular, internationally recorded Bluegrass star would soon vanish from the public eye and the music business for a full decade. Evans, who was incarcerated in Ohio, was well known by inmates who had been long time fans of the local boy who had made it big. Although the charges and sentence were clearly a skewed, and never was there more of a case where the punishment didn't fit the crime, Evans, being the man he is, served his full sentence without a holler or complaint. While being locked away from the world and taken out of the limelight, Evans however continued to write music from within his "Cold Dark Cell," as mentioned in his masterful "High Waters" album from 2002. As any great artist does, he adapted and turned an unfortunate situation into positive energy, recording several albums shortly after his release and drawing on those experiences for lyrical inspiration. Songs such as "C.O. come and get me," "It's all up to you,' and "Somebody's here for me," off of his return album "Bad Moon Shining," became immediate hits with fans who immediately connected to the truth and sincerity of these telling masterful lyrics of his time in prison. Rejuvenating the River Bend Band, only this time calling on his family to round out his crew, Evans and sons continued on the path he was stalled from 10 years ago. To this day, Dave Evans continues to travel the many winding roads a musician takes throughout life. He is without a doubt, a man who has remained unchanged by time, the last of a breed of men who like life simple, and who make music for the sheer joy of it. Not preoccupied with corporate sponsors, synthesized enhanced lyrics or looking to reinvent himself, he has managed to do what few musicians have during the span of their career and life: Play by their own rules, make the decisions and music they want, and in the fashion that doesn't compromise their own personal beliefs, morals, or methods. Our film will document this amazing true story of one man's prediction of his own destiny and seeing it through despite juggling the many hurdles life can throw at you. We will interview key people from Dave's childhood and early years, as well as prominent Country and Bluegrass musicians that have played with, or been inspired by Dave's career. Our film will at all opportunities incorporate as much of Dave's music as possible to help narrate our story through not just voice over and interview, but in song.

All Filters