60-53

Wed, Dec 31, 1969
We begin the countdown of America's most notorious unsolved mysteries and crimes by exploring who killed Marilyn Monroe and ask if one of America's most infamous killers got away with murder.
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52-47

Wed, Dec 31, 1969
The countdown of America's most infamous mysteries continues and looks at General Custer's last stand, explores who whacked Bugsy Siegel, and investigates a deadly attack on Wall Street in 1920.
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46-40

Wed, Dec 31, 1969
Our countdown of America's biggest mysteries continues with the story of the death of the first man of magic Harry Houdini, one of the old West's most prolific gunslingers, and the great moon hoax.
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39-33

Wed, Dec 31, 1969
Our look at mysteries that have baffled America continues with a look at the greatest unsolved art theft in history, the unexplained death of America's first mystery writer and if Bigfoot exists.
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32-26

Wed, Dec 31, 1969
We continue counting down America's greatest unsolved mysteries including the infamous escape from Alcatraz, the hunt for the New Orleans axeman, and did Butch Cassidy and the Sundance Kid survive?
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25-20

Wed, Dec 31, 1969
We've reached the top 25 in our countdown of unsolved mysteries including a famous outlaw who escaped his grave, an infamous gangland massacre never solved, and a secret mob assassin revealed.
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19-14

Wed, Dec 31, 1969
The countdown of crimes and mysteries that have baffled America continues with a bizarre blend of brutal murders, skyway robbery, lost riches, lost colonies, and an unexplained disappearance.
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13-10

Wed, Dec 31, 1969
Moving through our countdown of America's greatest unsolved mysteries and crimes, we uncover a secret society, and two baffling tales of disappearance - an American hero and a whole culture.
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9-6

Wed, Dec 31, 1969
We reach the top 10 in our countdown of America's greatest unsolved mysteries including the assassination of Martin Luther King, a witch hunt in Salem, and the missing minutes of Nixon's tapes.
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5-1

Wed, Dec 31, 1969
We conclude the countdown of the greatest unsolved American mysteries and crimes with three cigars that changed the course of the American Civil War and a presidential assassination conspiracy.
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Fortynine

Fortynine

Between 1996 and 2006 Michal Kosakowski produced 49 short movies on the subject of killing. 49 killings, dreamed up by inhabitants of the metropolis of morbidity - Vienna. In 1996, Kosakowski began to inquire into fantasies of killing - at first among his relatives and friends, then widening the circle to include artists, musicians and, eventually, actors. Within a decade, Kosakowski made 49 short movies, an essential element of which is the fact that these killing fantasies were put into practice with the complicity of the respondents themselves and depicted in the 49 videos. The collaborations between Kosakowski and his fictitious killers and victims in scripting, acting and staging the films could not have been closer or more intense. Michal Kosakowski himself was in charge of directing, camera, editing and special effects for all 49 films. The fantasies of violence, all of which seem to feed on the explicit violence omnipresent in film and television, are stunning. Not a single one of the 160 performers has a criminal record or was ever involved in any real acts of violence. And yet poisoning, torture, suicide, execution, ritual murder, violence by and against women, men, and children, murders motivated by sexual, political, and mental aberration come face to face with the recipients' emotions, naked and uncensored. The video-installation FORTYNINE is a 5x4x3 meter mirror-walled cube. Visitors who enter the cube are confronted by a 49-part HD split-screen that mirrors their reflections to infinity. The fact of interpersonal acts of violence, here anchored in present-day aesthetics, is also reflected in the emotions visible on the faces of the visitors, which are equally mirrored to infinity. 49 examples of fictitious killing collide head-on with the real emotions of the installation's visitors. The collective experience of any emotion generates intimacy - and it is precisely this intimacy that acts as a further constitutive component of FORTYNINE: the confrontation of the individual with itself, in the face of the most atrocious examples of violence. What Michal Kosakowski grants us is the rare occasion to experience a genuine taboo of our times and our Western society - death. A death that, for the time being, seems to present itself exclusively in the contemporary guise of the incessant violence staged by the media.

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