S2.E2 ∙ Les témoins

The upholsterer Hans Moll and his wife, the television announcer Mrs. Wellinek and her husband, as well as the German-Russian Jewgenia have a lot of things that one needs to live: food, drink, an apartment. What they don't have is work.

Channing has it all- a beautiful house, a rock star lifestyle, and a loving husband intent on ruining it all by knocking her up.

A film version of the second half of Cervantes' "Don Quixote".

Husband and wife Gorô and Chiyo, and their only offspring, an infant son named Tarô, go through the ups and downs of family life living in a cramped modern apartment building in suburban Tokyo. Their story is told in Tarô's second year of life. Many of their issues stem from both Gorô and Chiyo being unsure of themselves as parents, and being different in their perspectives of parenting, Gorô who believes in the traditional roles in which Chiyo is tasked with most of the child rearing responsibilities especially around the home. They also differ in the number of children they want, Gorô who believes Tarô is enough of a handful, while Chiyo really wants at least one more child in the general joy she feels in being a mother despite the problems. The unsurety that Gorô and Chiyo feel about their parenting is confirmed by Tarô, openly in his frequent crying fits when he is unhappy in what his parents or other adults around him have done wrong, and in secret as Tarô provides an inner voice narrative of what he wants and believes as a baby which is often contrary to what Gorô or Chiyo believe Tarô wants or needs. Their situation gets more complicated as Gorô's aged and thus stuck in her ways mother Ino gets directly involved in Gorô, Chiyo and Tarô's home life and thus Tarô's upbringing.

Omnibus film with individual segments directed by Renato Castellani, Luigi Comencini and Franco Rossi; all of them starring the radiant Catherine Spaak as "out of place" women longing for love, in a Sicillian village, a monastery, and a modern Italian urban setting, respectively.

Widow Clara and widower Ulf have an unusual commonality: Both mourn the loss of their spouses, but they cannot have them declared dead. Although there are no official doubts about the alleged suicide of Ulf's wife Anke or about the fatal glacier crash of Clara's husband Enno, the officer who complies with the paragraph insists on a corpse for the notarization - and that does not exist in either case. In order to at least support each other in letting go emotionally, Clara and Ulf set up an informal two-person self-help group after meeting them by chance. The self-confident perfumer and successful novelist soon awaken surprising feelings that go far beyond the usual grief work. However, the two are even more astonished to discover that their spouses seem to have certain similarities. A treacherous photo of Anke with Enno, her disappearance almost at the same time and the complicity in a fraud worth millions raise the suspicion that the departed have made off together. Even if it hurts even more: Now Clara and Ulf want to find out the whole truth.