S1.E12 ∙ Like Any Other Friday...

Between 1996 and 2006 Michal Kosakowski produced 49 short movies on the subject of killing. 49 killings, dreamed up by inhabitants of the metropolis of morbidity - Vienna. In 1996, Kosakowski began to inquire into fantasies of killing - at first among his relatives and friends, then widening the circle to include artists, musicians and, eventually, actors. Within a decade, Kosakowski made 49 short movies, an essential element of which is the fact that these killing fantasies were put into practice with the complicity of the respondents themselves and depicted in the 49 videos. The collaborations between Kosakowski and his fictitious killers and victims in scripting, acting and staging the films could not have been closer or more intense. Michal Kosakowski himself was in charge of directing, camera, editing and special effects for all 49 films. The fantasies of violence, all of which seem to feed on the explicit violence omnipresent in film and television, are stunning. Not a single one of the 160 performers has a criminal record or was ever involved in any real acts of violence. And yet poisoning, torture, suicide, execution, ritual murder, violence by and against women, men, and children, murders motivated by sexual, political, and mental aberration come face to face with the recipients' emotions, naked and uncensored. The video-installation FORTYNINE is a 5x4x3 meter mirror-walled cube. Visitors who enter the cube are confronted by a 49-part HD split-screen that mirrors their reflections to infinity. The fact of interpersonal acts of violence, here anchored in present-day aesthetics, is also reflected in the emotions visible on the faces of the visitors, which are equally mirrored to infinity. 49 examples of fictitious killing collide head-on with the real emotions of the installation's visitors. The collective experience of any emotion generates intimacy - and it is precisely this intimacy that acts as a further constitutive component of FORTYNINE: the confrontation of the individual with itself, in the face of the most atrocious examples of violence. What Michal Kosakowski grants us is the rare occasion to experience a genuine taboo of our times and our Western society - death. A death that, for the time being, seems to present itself exclusively in the contemporary guise of the incessant violence staged by the media.

Armstrong a refugee flees from war torn North Srilanka and embarks on a perilous journey through India, Nepal, Thailand towards an uncertain destination, leaving his childhood sweetheart on the shores that foam blood.

Saluting the Sun are twelve continuous yoga postures and these movements have been used to tell a story that all is not what it appears to be.

Detroit. Fall 2008. Barack Obama makes a pre-election visit to Detroit which serves as a backdrop for a series of interviews about life and the future of the United States of America. The people are cautiously optimistic about the future in the hope that Barack Obama will bring much needed change. Opinions are diverse, but one thing is certain in their reflections and that is the situation for the country is precarious and there are no easy choices with Global Warming, Economic Collapse, War, Foreclosures, Crime, Homelessness and Unemployment, their daily companions, among others. As one person said, 'I don't agree with the international and national policies of the US government. I'm the other American.'