S3.E12 ∙ Tod eines Roadies

Shirley Templo (Vilma Santos-Recto) is a ruthless woman. Many people deal with her strong attitude only for fear of her cold stare, or her outlash. She works as a librarian in a school, and lives in a compound that is owned by her ex-husband, Benito Salvacion (Tirso Cruz III). Many of the Salvacion family members that live near the compound, even including her eldest daughter, Dang (Dimples Romana), plead with her to sell it so they can make a profit, and she can move to a more suitable living area.

As a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION

Dr. Z(achary) is also a comedian. He gets his inspiration from staff and patients at the hospital. He and Donna befriend and affect his womanizing intern, Ray.

Maria's and her grandmother's love for cooking, and Maria's energy and creativity to change those around her. The importance of Mexican food and family traditions.

When something unexpected happens in 13-year-old Oliver's family, all he wants to do is walk away. He takes up residence in a poolside lounge chair and decides there's no reason to move. Ever.

Pagan priestesses unveil a web of intrigue, betrayal and redemption in this Apocryphal psychedelic-rock re-telling of The Passion.