S6.E4 ∙ A Horse of a Different Color

Incidentally, an innocent couple Muku and Nayontara, lives in an area of Dhaka city where supply of drinking water is limited. In summer, water supply is ceased for a few days. Local dwellers stored some water for emergency but Muku and Nayontara have no water at all. So they beg water to every door. Nobody give them water but beat Nayontara mercilessly. Nayontara becomes revengeful and takes her revenge in different way.

The narrative begins with Santosh's arrival at a mysterious and puzzling place. Here, he meets Prakash and Ajay. It is a place where people arrive on their death. This place, it has no name and no person. It just allows one to wait. Could you wait before the unknown future? Santosh talks to Prakash and Ajay about the meaning and purpose of his being there. They are as clueless as himself. They too, like him, worry about what the future holds. Soon they are joined by Kaveri. And then Ajit, Madan, and Ismail. Each new arrival creates excitement. Yet the anxiety about the future continues. Together, they try to imagine what the future could hold. Their thoughts give an insight into their hopes and fears. Their past is reflected in their hopes for the future. The arrival of a pregnant woman, Savita shakes them more than any other. It forces them to confront the reality of their situation. Prakash realizes that what he misses most is not what wonderful things happened to him. Neither the pain of the past ache. He admits that what hurts the most are missed opportunities and unrealized experiences.

A television station is held hostage as a distraught father tries to bargain with a Carribean government for the release of his imprisoned daughter.

Dr. Copin hypnotizes Joy Fielding, and she develops a split personality. She changes from an innocent, beautiful young lady into a cruel vamp, to the distress of her boyfriend.

Marie and Amy's long-term relationship, living in an isolated cottage, is fraying with both struggling to deal with the realities of being neurodivergent. With Marie chasing long-held dreams, Amy is close to giving up on hers.

When Edith Howland's husband abandons her for a younger woman, leaving her with their alcoholic son and his senile uncle, she begins recording details of an imaginary, much more successful life where she has friends and grandchildren. However, this diversion soon grows unhealthy when she becomes slowly convinced that the fantasies are real.