S2.E15 ∙ The Future

Cesare Botero (Nanni Moretti) is a young minister well-known to be corrupted and corrupter. He is looking for an appropriate spokesman. He finds the right person in Prof. Luciano Sandulli (Silvio Orlando). Sandulli is a very good and polite person, he is positive and full of hopes, but unluckily his economic position is disastrous. So he immediately accepts the new job. He has to write all the speeches of the minister, and soon became a sort of mentor. In fact his first impact with Rome and his politician world is positive, Sandulli is really convinced the young minister want really change the situation working for the common interest. But step by step, nevertheless his economic and familiar situation gets a lot of benefits by his new job, he enters in a world in which intrigues and corruption are the only laws. The honest Sandulli will react trying to resist to the cynic world of Botero. He will come back to his students.

Wang Shuangli is Deputy Director of the local Cultural Centre, and hopes to be appointed Director. However Old Ma is brought in from the country and installed as Director. This starts a long train of events with Wang's cronies using the bureaucracy to try to oust the new director. At home, Wang has problems because his father wants Wang to have a son to carry on the family name. However, because of the one-child policy, Wang cannot have any more children unless his young daughter is certified infirm.

Prantabh and Anand, associated with a news channel in Delhi, are in search of a big scam to prove a point to their senior. A dead body accidentally lands up in their car.

A woman (Kay Francis) with two husbands (Monroe Owsley, Henry Kolker) tries to divorce one of them by heading down to Havana where things get more complicated.

From the Director of 'The Rocky Horror Picture Show' Jim Sharman and Nobel Prize winning author Patrick White A haunting tale of obsession and possession.

'The Man' is a lonely, eccentric who works in a book store; amusing himself with his absurdist outlook on reality. He is sickened by his existence and becomes nauseated by the presence of others and his own boredom. His life, and mind begin to unravel when he sees 'The Woman,' an equally lonely and self medicated beauty, in a bar. He believes her to be his salvation from his isolation of the world and he begins to follow her, observing her every move. His obsessive pursuit begins to draw in the lives of other people; a family, living in the American dream, and a young man, Skylar, addicted to the care of his mother and equally as romantically involved with 'The Woman.' NAUSEA-inspired by the themes and ideas of Jean-Paul Sartre's novel of the same title-is an exploration of human desire, loneliness, and addiction. It questions the purpose of companionship as well as the depths to which someone could go to attain it. Both absurdly humorous and psychologically terrifying, NAUSEA breaks new ground in storytelling and cinematic presentation while remaining true to narrative execution and artistic integrity.