S2.E6 ∙ Zdala od ludzi czyli cos swojego

A series of benefit concerts to raise money for Amnesty International. Performances include comedy skits and musical numbers by a varied cast of mostly British performers. Featuring several Monty Python members, Rowan Atkinson, and Peter Cook.

Pleasure At Her Majesty's (1976) The very first show in what came to be called the "Secret Policeman's Ball" series took place over three late nights in April 1976 at Her Majesty's Theatre in London. The show was instigated by John Cleese, who volunteered to "round up a few pals" to perform for Amnesty International's benefit. These pals transpired to be most of Monty Python, Beyond The Fringe and The Goodies (three of the U.K.'s most successful comedy ensembles) -- together with leading solo performers. It was a gathering of the British comedic tribes. Cleese titled the show "A Poke In The Eye (With A Sharp Stick)." The film documenting this comedy summit was titled Pleasure At Her Majesty's -- a wordplay on the formal British expression for imprisonment in which convicts are "detained at Her Majesty's pleasure."

Featuring Zachary Quinto (Star Trek 2, Margin Call), Penn Badgley (Easy A, Gossip Girl), Willie Garson (White Collar), and YouTube star Grace Helbig, this raucous comedy chronicles the historical journey from the Big Bang to the end of humanity.

The Muppets Valentine show was the first of the two specials for The Muppet Show. Valentine on ABC in 1974.

Russell Mulcahy (of "Highlander" fame) films British comedy luminaries Peter Cook and Dudley Moore recording their last comedy album featuring two of their most beloved characters, lavatory attendants Derek and Clive. Booze, drugs, strippers and practical jokes (sometimes bitter and sick on the part of Cook) are provided. Throughout the recording, Moore has to weather the abuse and disdain of his longtime partner in the wake of his success in the American market (with films like '10' (1979) and Foul Play (1978)). The film marked the last appearance of Peter Cook and Dudley Moore together as a team and the end of their partnership which began with "Beyond the Fringe" in 1959. The men discuss "getting the horn" (i.e. getting "in the mood") at the most unlikely times, improvise songs filled with obscenities (Cook's two-note piano opus entitled "Dutch Bitch" is coarse and hilarious to those who are not easily offended) and work out their aggressions toward one another in the strangest ways, in the midst of putting the album together. They engage in all-out war and undeniable camaraderie.

Mankind has always been on the move. Sometimes escaping from something but often also searching for something else.