S1.E3 ∙ Host: Fred Allen; Guests: Monty Woolley, Rise Stevens, Peter Donald

A famous British actress gets involved with two members of a reserved British noble family, whose plan to get rid of her backfires.

An aging film director recaptures his career with the head of the studio, his former apprentice, while trying to get ideas for a future project.

A century ago a nanny brings a 6 y.o. to his wealthy grandmother in Copenhagen. His father is too busy and his mother has just died. He loves his nanny but hates his grandmother, who cares more about appearances than for him.

Thorvald runs a local bus route, with a 1923-model bus nicknamed 'Gamla', in the Norwegian country side. Thorvald himself always takes time to make numerous stops along his route, to help out with the smallest of problems. The old man is so caring he sometimes forget to charge money from his travelers. But modern times are lurking on the doorstep - in the figure of a grumpy county official and an offer from an outside bus company...

Solange is unhappy. She's a meter maid in Tours, working in the rain, subject to verbal abuse from those she cites. Her husband Patrick is consumed by the work of finishing their new house: carpet, tile, faucets. He's also a hothead, subjecting Sonange to tantrums. While she's often quiet and withdrawn, she longs to be a singer. When by chance she meets Mylène, an accomplished, beautiful Parisian writer she admires, Solange gives her a demo tape. Mylène is encouraging, a friendship of sorts develops, and when Solange despairs after a series of personal, emotional setbacks, she heads for Mylène's doorstep in Paris. Does a singing career await, and what about Patrick?

The powerful and famous TV-personality, Frau Plastic Chicken is providing a live coverage of a brutal serial killer's arrest by the police in her show, namely Nexxt. In the meantime as for a filling in of the gaps, of the time intervals without action her show is dealing with the life of Clockwork Orange's protagonist after the ending of the book and trying to show the motivation for brutality through his previous and present life and the difference between these two. Frau Plastic Chicken is not afraid to use anything to provide her audience with excitement. Everything is welcome, let it be however radical and/or expensive.