S2.E22 ∙ Patrice Munsel, Trini Lopez, Adam West, Sid Caesar

A comic strip writer in NYC, still grieving over the death of a friend in 9/11, gets his publisher to agree to a limited run of "Justice", a comic book about an ordinary person who is a hero.

It's the year 2020. Every day billions of people are victims of the digital, medial, narcissistic, hedonistic, careeristic and consumerist overstimulation and suggestion by the establishment. In a manner that remains unexplained to this day, hundreds of millions of citizens of the first world abruptly and epidemically fall ill with Anhedonia, an inability to feel pleasure and satisfaction. Two exemplary victims of these unspeakable circumstances are the dissimilar, but nevertheless inseparable, aristocrats' sons Franz and Fritz Freudenthal. Wholly bereft of meaning and tormented by their miserable, dull and joyless existence, they slowly waste away; until they become aware of the new and unique lust-stimulus therapy by the world-renowned and very trendy Prof. Dr. Immanuel Young, seeing in it the solution to all their problems.

No Ogawa, a young Japanese man, loves American western movies. What little English he does know he learned from these movies. When he is fired from his latest job at a fast food restaurant, he decides to become a cowboy. In his youth, he had a same-aged pen-pal named Kate Beatty, who he plans on visiting in the Canadian prairies specifically because she told him she was a cowgirl. No has plans literally and figuratively of riding off into the sunset with Kate. No's dreams are dashed when he arrives in Canada and finds that Kate is not a cowgirl, but an artist. She recently returned to her hometown after living in the big city, and has since led a relatively reclusive life with no husband on the horizon. As such, Kate's mother, with whom Kate does not confide, is hoping that Kate and No do end up together. He is even staying with her while in town. But Kate is harboring a secret, the reason for her being so reclusive. Her secret is not so secret, at least to her mother. Bill, a local postman, becomes No's friend and protector, the latter to protect No from getting hurt as he knows that No, in this case, will not get the girl of his dreams.

Portrayal of three women, fed up with the behavior of their husbands, who decide to divorce and begin to enjoy life extra all.

A film about living and working conditions in the GDR of the 1960s, including a little love story, of course.

It is the last day of school in a run-down technical institute in the Roman suburbs: the pupils are not really diligent and the teachers give their worst both from a working and personal point of view.