S5.E3 ∙ Brussels Calling

The Shoe is set in a seaside Latvian town in the 1950s and deals with absurd laws of life in a border state. The intriguing black-and-white is a contemporary retro tale about Cinderella's slipper, which, in this variation, is found on the beach in a border zone. Russian soldiers take on the role of the prince. But who is Cinderella?

Two Manhattan slacker dudes, best friends, want to make a movie about their lives. Splick drives a hack, Jason tends bar; each has a stuttering relationship with a down-to-earth woman. But neither has a clue how to make a movie. A friend in the industry sets up meetings for them with producers, which they blow. Things look up when Phoebe Cates and Martha Plimpton agree to star, but then they leave the city for other projects. Splick and Jason argue. Things look bleak. Will they repair their friendship? Will they reconnect to their lovers?

Aging star (Daniels) finally recognizes the truth when she is replaced in her new movie by a girl from the chorus (Faye).

The story about actors who will never agree to betray their theatre even if they will have to burn themselves. And other instructions how to behave if a whiskered man breaks into your house and wants you to leave it.

A man with eight daughters, and no hope of an heir, takes a mistress to console himself. He finally consults a magician who gives him a list of instructions on how to make a son. Soon his wife is pregnant again.