• 2018
  • TV-Y
  • 22m
Robots in Space

Summary When Space Commander Megan (K. Megan McArthur) is marooned on Pluto, our robot heroes will race through wormholes, shoot past ice volcanoes, and blast straight through an asteroid field to bring their new friend back home.

  • 2018
  • TV-Y
  • 22m

S4.E9 ∙ Robots in Space

Directed : Unknown

Written : Unknown

Stars : Dee Bradley Baker Kevin Michael Richardson Nolan North Nat Faxon

8.7

Details

Genres : Action Adventure Comedy Sci-Fi Animation Family Musical

Release date : Oct 3, 2018

Countries of origin : United States Japan

Official sites : Facebook Nick Jr.

Language : English

Production companies : DHX Media Nerd Corps Entertainment WildBrain

Summary When Space Commander Megan (K. Megan McArthur) is marooned on Pluto, our robot heroes will race through wormholes, shoot past ice volcanoes, and blast straight through an asteroid field to bring their new friend back home.

Details

Genres : Action Adventure Comedy Sci-Fi Animation Family Musical

Release date : Oct 3, 2018

Countries of origin : United States Japan

Official sites : Facebook Nick Jr.

Language : English

Production companies : DHX Media Nerd Corps Entertainment WildBrain

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Edit Focus

How Pixar's Movement Animation Became So Realistic

How Pixar's Movement Animation Became So Realistic

Pixar gets its characters to move and emote by building them rigs and filling them with controls that allow animators to give them unique expressions and movements. "Toy Story 2" gave them the ability to adapt and reuse rigs for multiple characters, allowing a wide array of characters of all shapes and sizes. In "Finding Nemo," animators learned how to make fish show emotions despite their lack of eyebrows. Major breakthroughs occurred during "The Incredibles," in which animators now had the capability to give humans muscles and skin that moved like the real thing, eventually allowing "Ratatouille" to stretch the human mouth far and control a character's loose movements. Meanwhile in "Cars," a new technology called ground locking let cars drive on a straight path, while new stretchy rigs were created for realistic octopus tentacles in "Finding Dory" and an especially dynamic dog tongue in "Coco." Thanks to new features, like the ability to add tendons onto hands and a digital piano that played by itself, Pixar was able to show complex piano playing. None of it would have been possible without the animation and rigging breakthroughs that came before it.

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