S1.E3 ∙ Berlín 1942

Jason is a tough skateboard kid from a single-parent home who has found himself entangled in a life of crime and darkness. Meanwhile, Steve is an increasingly frustrated minister at a well-respected church in town - the same church where his now deceased father-in-law ministered for 30 years. One night, as Steve as confronted by Jason and his friends, Jason's words cut deep. Steve cannot forget the truth that came from this skateboarder "punk". Steve decides what he must do - he will make Jason and his friends his new heavenly assignment. Unfortunately, Steve's congregation is not as excited as he is about reaching wayward youths. Steve and Jason are on the same road, confused and unsure about their futures, as they begin a friendship that is about to bring changes they could not have possibly imagined.

A young village school teacher Savostin (or as everybody calls him-Alekseich), puts a question about the construction of a boarding school for children, living far from the school, and, in the end, he reaches his aim.

The story of an unlikely friendship which leads an unemployed and xenophobic German to teach a young African immigrant how to ice skate.

Helena is an actress who notices the effects of time on her face and Jean-Claude, a dancer who devotes herself to buoy, the dance of death. He feels trapped in the longevity logic that the pharmaceutical industry imposes and decides to plan a conscious suicide. Live, for him, must be a desire and not an obligation. Jean invites Helena to make the suicide with him. She hesitates, knowing that she will live well even if she needs to live by herself, but she helps in Jean's intentions. Jean's idea makes them both move and restless. What makes you decide that? What makes it tough? When life ceases to be a right and becomes a duty? The two respect the requests and the limits of each other. The silence between them reveals no distance, but intimacy. They are years of shared affection. Together, they will prepare all the details for the funeral. He dances to death as she continues to rehearse life. There is total complicity between them, whether in life or in the possibility of death. In this process, both realize that before the end, there is still a whole life.