The Love of Three Oranges

Summary The vicar holds a charity bazaar, the proceeds going to luxuries for the troops. Godfrey tries to sell his home-made wine but people are getting drunk by tasting and not buying it. Mrs. Mainwaring fails to turn up after an accident with the bath enamel but donates some hideous lamp-shades she has made. Hodges contributes three oranges and Mainwaring is anxious to secure one for his wife but when Wilson gets Pike to buy it for the captain, the two end up bidding against each other and raising the price of the orange. Mainwaring finally buys it only to find it is a bitter orange, for marmalade-making.

S8.E8 ∙ The Love of Three Oranges

Directed : Unknown

Written : Unknown

Stars : John Laurie John Le Mesurier Arthur Lowe Clive Dunn

7.4

Details

Genres : Comedy War

Release date : Dec 25, 1976

Countries of origin : United Kingdom

Language : English

Filming locations : Bury St Edmunds Sugar Beet Factory, Bury St Edmunds, Suffolk, England, UK

Production companies : British Broadcasting Corporation (BBC)

Summary The vicar holds a charity bazaar, the proceeds going to luxuries for the troops. Godfrey tries to sell his home-made wine but people are getting drunk by tasting and not buying it. Mrs. Mainwaring fails to turn up after an accident with the bath enamel but donates some hideous lamp-shades she has made. Hodges contributes three oranges and Mainwaring is anxious to secure one for his wife but when Wilson gets Pike to buy it for the captain, the two end up bidding against each other and raising the price of the orange. Mainwaring finally buys it only to find it is a bitter orange, for marmalade-making.

Details

Genres : Comedy War

Release date : Dec 25, 1976

Countries of origin : United Kingdom

Language : English

Filming locations : Bury St Edmunds Sugar Beet Factory, Bury St Edmunds, Suffolk, England, UK

Production companies : British Broadcasting Corporation (BBC)

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Hammer & Tickle

Hammer & Tickle

George Orwell wrote that in a repressive political system every joke is a "tiny revolution." Jokes were an essential part of the communist experience because the monopoly of state power meant that any act of non-conformity, down to a simple turn of phrase, could be construed as a form of dissent. By the same token, a joke about any facet of life became a joke about communism. Hammer and Tickle recounts a humorous history of the Soviet Union and its satellite states through the jokes that flourished under the oppressive regimes in Russia and parts of Central and Eastern Europe. Jokes, the film contends, were a language of truth under Communism; a language that allowed people to navigate the disconnect between propaganda and reality and provided a means of resisting the system despite the absence of free speech. Using animated sequences, manipulated archival footage, and sketches to resurrect the jokes, the film offers an ironic take on the history of Communism while simultaneously investigating the social and political impact of jokes under Soviet rule. Interviews with Solidarity leader and former Polish president Lech Walesa, hard-line Polish leader General Jaroszelski, German actor Peter Sodann, German satirist and author Ernst Roehl, East German newspaper editor and Politburo member Guenter Schabowski, and academics Christie Davies and Roy Medvedev address the role that jokes played in challenging and weakening the Communist system from the inside even as joke-tellers faced censure or time in the Gulag for voicing their humor. Light and irreverent in its tone, Hammer and Tickle is really about the ultimate seriousness of joking and the use of the power of laughter to overcome hardship. This history of humor under the Soviet regime offers a direct, incontrovertible way to understand what it was like living in a Communist society, and is also proof that the human spirit can never be broken.

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