Getting the Bird

Summary Rumours abound when Sergeant Wilson is seen with his arm around an attractive young woman in a WREN's uniform, causing an argument between himself and Mainwaring who catches him sleeping off a hangover in the church hall. Suddenly pigeons appear - Walker has got them to sell to Jones in the absence of other meat but he has yet to kill them, which he eventually does. However, a radio report reveals the disappearance of pigeons from Trafalgar Square, so he hides them in the organ loft and out they fly when Jones plays the organ. The young lady with Wilson is actually his daughter from a brief marriage.

S5.E4 ∙ Getting the Bird

Directed : Unknown

Written : Unknown

Stars : John Laurie John Le Mesurier Arthur Lowe Clive Dunn

7.7

Details

Genres : Comedy War

Release date : Oct 26, 1972

Countries of origin : United Kingdom

Language : English

Filming locations : Bury St Edmunds Sugar Beet Factory, Bury St Edmunds, Suffolk, England, UK

Production companies : British Broadcasting Corporation (BBC)

Summary Rumours abound when Sergeant Wilson is seen with his arm around an attractive young woman in a WREN's uniform, causing an argument between himself and Mainwaring who catches him sleeping off a hangover in the church hall. Suddenly pigeons appear - Walker has got them to sell to Jones in the absence of other meat but he has yet to kill them, which he eventually does. However, a radio report reveals the disappearance of pigeons from Trafalgar Square, so he hides them in the organ loft and out they fly when Jones plays the organ. The young lady with Wilson is actually his daughter from a brief marriage.

Details

Genres : Comedy War

Release date : Oct 26, 1972

Countries of origin : United Kingdom

Language : English

Filming locations : Bury St Edmunds Sugar Beet Factory, Bury St Edmunds, Suffolk, England, UK

Production companies : British Broadcasting Corporation (BBC)

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Hammer & Tickle

Hammer & Tickle

George Orwell wrote that in a repressive political system every joke is a "tiny revolution." Jokes were an essential part of the communist experience because the monopoly of state power meant that any act of non-conformity, down to a simple turn of phrase, could be construed as a form of dissent. By the same token, a joke about any facet of life became a joke about communism. Hammer and Tickle recounts a humorous history of the Soviet Union and its satellite states through the jokes that flourished under the oppressive regimes in Russia and parts of Central and Eastern Europe. Jokes, the film contends, were a language of truth under Communism; a language that allowed people to navigate the disconnect between propaganda and reality and provided a means of resisting the system despite the absence of free speech. Using animated sequences, manipulated archival footage, and sketches to resurrect the jokes, the film offers an ironic take on the history of Communism while simultaneously investigating the social and political impact of jokes under Soviet rule. Interviews with Solidarity leader and former Polish president Lech Walesa, hard-line Polish leader General Jaroszelski, German actor Peter Sodann, German satirist and author Ernst Roehl, East German newspaper editor and Politburo member Guenter Schabowski, and academics Christie Davies and Roy Medvedev address the role that jokes played in challenging and weakening the Communist system from the inside even as joke-tellers faced censure or time in the Gulag for voicing their humor. Light and irreverent in its tone, Hammer and Tickle is really about the ultimate seriousness of joking and the use of the power of laughter to overcome hardship. This history of humor under the Soviet regime offers a direct, incontrovertible way to understand what it was like living in a Communist society, and is also proof that the human spirit can never be broken.

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