S1.E5 ∙ But Who Is It For?

People living in a mountain village try to save the nature from destruction caused by hydro-electric power plants.

WEST 47th STREET is a feature-length theatrical documentary film. It follows the lives of four people with serious mental illness, over three years. The film provides an unprecedented window on the lives of people who are often feared and ignored, seldom understood. Co-producers Bill Lichtenstein and June Peoples enjoyed an extraordinary degree of access to their lives, and shot more than 350 hours of tape: off and on the street, in and out of hospitals and homeless shelters, healthy -- and psychotic. The resulting stories, both warm and dramatic, are about people who approach tremendous obstacles with humor, optimism and grace.

Vanessa Beecroft is obsessively determined to adopt Sudanese twin orphans. Her consuming passion drives her marriage to a breaking point and fuels her controversial art, raising troubling questions about exploitation, culture clash, and the imposition of the West on Africa.

Roger Morneau was a demon worshiper who became a Christian author and prayer warrior. Family and friends testify that the battle with fallen angels is real and that prayer really can change things.

Four gripping, unique stories from the frontlines of suicide prevention, those of American veterans, the LGBT community, university students, and gun owners, weave together into a call to action.

Southeast, the poorest neighborhood in Washington, D.C., has only one sit-down restaurant, but it has hundreds of churches. Faith in the Hood is a compelling portrait of the inner city, seen through the prism of the spiritual life of its people. The film profiles five ministries: a street ministry for former convicts, a socially activist storefront church, a large and powerful Afro-centric church, an evangelical summer camp for youth, and an Islamic school. With commentary from leading experts on African American faith, the film displays the richness of the inner city religious experience and its centrality as a defining aspect of black community life.