S2.E2 ∙ Eggplants Don't Bite

THE FARMER is the story of one man's resistance against the seemingly unstoppable megatrends of our time, spearheaded by a Bhutanese farmers' leader, Sangay, and told from the perspective of a German film director, Irja. Together they shoot a fictional TV series for the only Bhutanese broadcaster to contrast the rapid rural exodus currently taking place in Bhutan with the vision of a new, forward-looking generation of farmers. While the fictional scenes tell the story of a young woman from the city being confronted with the challenges of farm life, the documentary scenes show two people's struggle to realize their dream of changing things for the better. Both journeys lead into a new world full of huge obstacles, unexpected precipices and hidden treasures.

A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.

"The suburb is on fire" - about the alienation of young people. How is it that a destructive lifestyle feels like the only way to face the future?

Buenos Aries Zero Degree is a "Making-Of..." documentary for about Wong Kar-Wai's 1997 film Happy Together. Included are interviews, on-set footage, deleted scenes, and footage of crew members revisiting the locations where Happy Together was filmed.

"Bangkok Girl" is a 'remarkably accomplished, beautifully photographed and intimate debut documentary that puts a human face on the devastating social issue that, sadly, is the fate of too many impoverished girls.' The documentary provides a glimpse of Thailand's sex tourism told through the experiences of a 19-year-old bar girl named Pla.

Ingrid tells the story of a prominent Dallas socialite/fashion designer in the 80s-- who dropped her life and ran off to the woods in order to pursue a personal and creative one. She has since become a total hermit and spends her time creating art out of rocks from the nearby creek. It is a never-ending project. Ingrid peels off the layers of this woman's persona, questioning what would drive a successful Texas fashion designer to leave her profession and family to immerse herself in nature and become an entirely self sufficient woman of the woods.