S1.E31 ∙ 24 Hours of Canaan/The Ouadaabe of Niger/The Last Migration

For the Record tracks several stenographers as they strive to break the Guinness record and seize the title of World's Fastest Court Reporter. It also explores the steno culture, the connections people make as 'interpreters' of the hard of hearing, and ins and outs of court reporting and captioning.

The world mourned the loss of one of its most innovative performers Prince, in April 2016. While Prince's official autopsy confirmed that the singer died from an overdose of the painkiller fentanyl, investigators have still been looking to clear up some additional mysteries surrounding the case. We take a look into the last 24 hours of his death and look for the real answers as to what happened.

Four strikingly different women undergo treatment at a comprehensive breast center presided over by the inimitable and searingly honest veteran surgeon Dr. Lauren Schnaper. She believes that fear, ignorance, and pink-ribbon culture are fueling an explosive rate of unnecessary mastectomies in America. Blending medical archival footage with extensive 'collateral damage' suffered by our four women - repeated loss of implants, blood infections caused by multiple surgical procedures, cosmetic nipple exchanges, reactions to cadaver's skin that is used to house breast implants - we learn that breast reconstruction post-mastectomy is no 'boob job.' As Dr. Schnaper advocates breast conservation and debunks breast cancer myths, so the myth of St. Agatha, the Sicilian martyred saint of the breast, offers a commentary on our own confused contemporary moment.

A Hong Kong documentary directed by Oscar winner Ruby Yang, chronicles the trials and tribulations of a group of under-privileged middle school students as they undergo six months of vigorous training to produce a musical on stage.

17 high school boys overcame poverty and family obstacles by one coaches inspiring ways to win state championship.

This story is based on numerous real-life stories of those who chose to stay unnamed. A young provincial girl full of vitality is dancing to a popular love song. She doesn't even suspect that soon, when she will go to conquer the capital, she will meet a man, and that this meeting will break up her bright dreams. The heroine will turn into "that woman" - the one who is dependent from His money. She will have to walk the long difficult way full of pain and frustration. She will completely lose her hopes and herself for the sake of wealth. But the question is will she find the strength to escape from the neverending waiting, emptiness and humiliation? Is she still capable to do this step after so many years of being "kept"?