S1.E3 ∙ Krabber

In Afghanistan's mountains, a Hazara family investigates their daughter Zahra's mysterious death after she moved to Kabul for studies, exploring the truth behind her tragic demise amid ethnic oppression.

This documentary looks at the search for the remains of King Richard III of England (1452-1485). After being killed in the Battle of Bosworth Field (August 22, 1485), his remains were taken to Leicester and it was believed that he was buried at Greyfriars Church. The church no longer exists and its remains were now believed to be under a car park. Phillipa Langley of the Richard III Society convinced archaeologists at the University of Leicester to lead a dig and surprisingly, as it turned out, the first skeleton they found was subsequently proven to be that of the King through DNA tests which showed a match to Canadian Michael Ibsen, a direct descendant of Richard III's sister.

Much has been written, but little is known about Johannes Vermeer, painter of iconic paintings and crowd pleasers such as The Milkmaid and Girl with a Pearl Earring. His small oeuvre is almost everything he left behind. Dicht bij Vermeer (Close to Vermeer) follows Gregor Weber, a globally renowned Vermeer expert and flamboyant curator at the Rijksmuseum in Amsterdam. In the year before he retires, he works on his big dream: the largest Vermeer exhibition ever. Together with Weber, a number of Vermeer enthusiasts and experts go in search of what truly makes a Vermeer a Vermeer. Through new discoveries and by dissecting the work layer by layer, this film brings us closer to the painter to understand the decisions he made and the steps in his oeuvre.

Details one of the most elaborately staged theatrical productions in music history as Pink Floyd frontman Roger Waters performs the band's critically acclaimed album The Wall in its entirety.

In this eye-opening documentary, Alex Winter presents a thoughtful, troubling look at YouTube, a site with humble origins that has gone on to change how we experience the world.

A filmmaker returns to Northeast Brazil after twenty years to resume his film (a profile of assassinated peasant leader João Pedro Teixeira) which was shut down by a right-wing military coup in 1964.