S1.E4 ∙ Montreux: Ein Casino schreibt Musikgeschichte

There's a ferocious Bigfoot loose in the US South and it's faster and sleeker than its Northwest cousin. Responding to attacks on people's homes, pets and farm animals, the Gulf Coast BIgfoot organization wants to protect the public and harvest one male Bigfoot specimen to prove to Science once and for all that it's real. Now the only problem is, there's a group out there ('Friends of the Forest People') run by a PhD Neuropsychologist, that believes BIgfoot is human-like and killing even one would be murder. The series examines the hunt for this elusive mythical beast, and the struggle between 2 groups of people who have very different ideas of what to do, when they encounter the Sasquatch.

A documentary introduction by conductor Pierre Boulez, a former pupil of Messiaen and musicologist Michael Nupen precedes the performances of "Chronochromie" played by the Junge Deutsche Philharmonie and "Oiseaux exotiques" played by the Ensemble InterContemporain specially staged at the Alter Oper in Frankfurt, Germany.

A troubled anesthesiologist with a nightmare-ridden problem patient stumbles upon a cryptic computer code that may have been guiding the planet since 1947.

I really want to know what makes art, but i haven't found this answer anywhere so. I'm trying to use the principles of past art to understand what art is. The Universe of Malevich is a study of a universe where Suprematism won. I want to show the Constructions which would have created the shadows that Malevich saw. All of these constructions were built on the principles of Malevich and are placed in an empty space where nothing else can be found as a result of the triumph of suprematism. Author of the idea Max Semakov Development of the project Max Semakov Eugene Susov Object Max Semakov Evgeniy Susov Alex Myasnikov Evgeniy Papernyy Photography Max Semakov Video production Max Semakov Alex Myasnikov Nick Lariontsev