S1.E8 ∙ The Morning After

After breaking the silence on bullying in schools, the animator Jasmin Roy is now tackling violence among girls and especially the daily aggressions to which those females 13 to 17 years.

The inhabitants of this city undergo the sessions on the couch. Unlocked by formally trivial questions, they begin their journey into the depths of their own feelings and emotions towards the place where they live. The city itself becomes only a starting point. Over time, conversations get more intimate. The scenes from life, reminiscences and highly emotional moments interlace with the subjectively perceived shots of the city. They are blending together, complementing and interacting with each other. The fears of the film characters, their desires and unfinished affairs become the narrative axis of the film by constituting a common fate.

In the summer of 1987, Tonin Gjini swam from Albania to Yugoslavia, in search of freedom. Three decades later, he revisits the locations and recreates the events of that unforgettable experience.

Tells of Aborigines' removal from their families to be sent to work as servants for white people and the rise of the first Aboriginal organisations in the 1930's, in particular the Aborigines Progressive Association.

H, a young domestic worker who plans to run from Hong Kong towards her dreams of love with another woman Sampa, independence and freedom.